Yet another Canadian band I know nothing about, here’s Young Rival with a CRAZY video for their song “Two Reasons.” Mind blowing.
I saw this Grimes video a few months ago, but failed to post it then. Totally awesome video. Still not sure I’m either annoyed at Grimes or very much into Grimes. One of the two.
I don’t know Rich Aucoin, but this video for his song “Brian Wilson is A.L.i.V.E.” is awesome, walking through Brian Wilson’s entire life on film in the span of four minutes.
Here’s Colin Meloy, Jenny Conlee and Nate Query from the Decemberists, along with Ben Gibbard from Death Cab for Cutie, and Peter Buck from R.E.M. performing R.E.M.’s “You Are the Everything” at a fundraiser held in Portland this past Wednesday night. It’s safe to say I would have killed to have been at this event, had I known about it.
I’ve severely underestimated the popularity of The Postal Service. It’s been ten years since Give Up was released, and Sub Pop is releasing a 10th Anniversary Deluxe Edition of the seminal album. But apparently in that time the band has lingered in many heads or has moved into many, but either way, I’m pretty sure that even though this video only came out today, most everyone has already seen it.
Putting it here for archival purposes only. :)
One more for good measure: The Deer Tracks with “Lazarus” from their upcoming album The Archer Trilogy Pt. 3, set to release February 12. Just discovering this duo, but I like what I‘ve heard so far.
Oh, and btw, they’re coming to the Sunset on February 20. Watching this video and knowing what the Sunset is like, I can’t really put the two together. But I don’t see how I’m going to be able to miss this one.
And then there’s Bonobo, with their song “Cirrus” from their next album The North Borders, due April 2. Holy moly this video is mind bending.
Slowly growing to love this new band that’s about to burst onto the scene. Daughter, from London, have their debut album, If You Leave, coming out here in the states at the end of April. They’re definitely in the dream pop, XX/Beach House realm, but at least with three people there’s a little more interest happening on stage.
My current favorite musician, Shugo Tokumaru, who I’ve been listening to non-stop for the past month, has launched this new, mind-blowing video for his song “Katachi.”
And not only has it been featured on Pitchfork, it’s also being picked up in non-music circles, such as the awesome technology blog The Verge. The blow up is happening faster than I expected, but I’m excited that others are finding this awesome musician. His new album, In Focus?, came out this past Tuesday in the US. Buy it now — it is great, even if you can’t understand a word he’s singing.
Lastly, Shugo opens for Kishi Bashi at the Croc on February 22. I have a hunch this is going to sell out, so get your tickets now.
update: The video was created by Polish director(s?) Kijek/Adamski, who appear to have some amazing video-making chops.
I’ve been in love with this song for a very long time, thanks to one Windows 8 commercial in which the song prominently features. And I’ve only just stumbled upon it now.
You see, my current favorite, Shugo Tokumaru, whose album In Focus? has been in constant rotation since I wrapped up the 2012 Calendar, is going on tour with Kishi Bashi, the person responsible for the song above.
Catch Shugo Tokumaru and Kishi Bashi at their first stop together here in Seattle, at the Croc, on February 22. See you there! This is going to be one hell of a show.
Queen and David Bowie - “Under Pressure” (isolated lead vocal tracks)
Haunting.
Listen for Freddie’s ungodly range on the bit from 1:58-2:10.
UPDATED: In honor of Mr. Bowie’s birthday—and, in deference to your Stressful Modern Lifestyle—here’s a relaxing ringtone I made for you.
God damn.
David Bowie has a new album coming out in March called The Next Day. The first single from the album, titled “Where Are We Now?” is featured in the strange video above.
Like all David Bowie songs, this one will probably take a while to sink in, but in the end will be loved like all the rest. There are some classic Bowie videos on the “Vision” page that you should also watch. CANNOT WAIT for the tour announcement.
Another song from the forthcoming Atoms For Peace record Amok: “Judge Jury and Executioner.”
Pretty damn excited for this one.
Thom Yorke’s side project Atoms For Peace has launched a pretty amazing side-scrolling website to announce the launch of their upcoming album Amok, coming February 25. The song above, “Default,” is pretty good and falls right in with Yorke’s solo work as well as some Radiohead stuff, too.
The band has a pretty stellar lineup (as spelled out here):
Thom Yorke: Vocals Keyboards Programming and Guitars
Nigel Godrich: Production & Programming
Joey Waronker: Drums
Mauro Refosco: Percussion
Flea: Bass
And apparently they’re going to tour very soon. Strangely, this post just showed up in my RSS feed, but it’s dated December 4. Not sure if I’m the only one receiving it late, or if it was back-dated and truly posted today for some reason. Strangeness. Loving the music, though.
#1 on the 2012 Musical Bacon Calendar
The Idler Wheel Is Wiser Than The Driver Of The Screw & Whipping Cords Will Serve You More Than Ropes Will Ever Do by Fiona Apple
The #1 album of the year, Fiona Apple’s crazily-named The Idler Wheel Is Wiser Than The Driver Of The Screw & Whipping Cords Will Serve You More Than Ropes Will Ever Do, is the most perfect 43 minutes of music produced this year. If you’re not familiar with anything Apple has done since she pranced around in her underwear in that video back in 1997, this selection may feel like it’s out of left field.
While I definitely had a crush on Apple because of that video 15 years ago, my musical maturity helped me recognize her amazing songwriting ability when she released her third full-length, Extraordinary Machine, in 2005 (after much controversy). That album caught me totally off guard, and is definitely one of the best albums from the first decade of this millennium. (Check out Zach Galifianakis in the awesome song “Not About Love,” from that album.)
But The Idler Wheel… is better than that. After eschewing the limelight for six years (except for a few notable moments, including one where she performed Elvis Costello’s “I Want You” and made me feel like she definitely wants to kill someone, if she hasn’t already), Apple has released an album that is so sonically different from where she started, she’s practically creating a new genre of music all for herself.
This album is raw emotion, performed on piano and sung by the most scorned person on earth. Apple’s ability to channel her stories, her feeling, her gut into the form of song is unmatched by any other current musician. This is not the music of some emaciated 19-year-old in her underwear, this is the sound of a woman whose emotional state is not quite sound, whose medicine is her ability to pour it out of herself, unfiltered and without abatement.
The sound of the record is best described as sparse. There are very few instruments, some found-object sounds, and Fiona and her piano. And it’s a hard-hitting thing of beauty, like a rainbow seen over an area devastated by tsunami. If you’ve not listened to Apple in the past ten years, you owe it to yourself to pick up this album. The only familiar piece of the puzzle will be Apple’s profound voice. The most stark difference will be the lack of instrumentation. It’s not just raw lyrics, but raw sound. And it’s something everyone should feel and hear.
And with that, I wrap up 2012. It’s now 5 minutes before midnight on the last day of 2012; I’m making it just under the wire with my final post of the year. This has been a phenomenal year for music. SO many good records, so many albums that will remain with me well into the future. There are already a number of albums on the horizon that I’m looking forward to (you can follow my utility Twitter account @BaconTunes to see what albums and upcoming Seattle-based shows I’m specifically looking forward to, if you’re interested). If it’s anything like 2012, this is going to be a doozy.
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2. An Awesome Wave by ∆
3. Gossamer by Passion Pit
4. Lion’s Roar by First Aid Kit
5. Maraqopa by Damien Jurado
6. Shallow Bed by Dry The River
7. Valtari by Sigur Rós
8. The Heist by Macklemore and Ryan Lewis
9. Heaven by The Walkmen
10. State Hospital EP by Frightened Rabbit
11. A Thing Called Divine Fits by Divine Fits
12. Some Nights by fun.
13. Tramp by Sharon van Etten
14. Fear Fun by Father John Misty
15. Love This Giant by David Byrne and St. Vincent
16. To The Treetops! by Team Me
17. The Master: Original Motion Picture Soundtrack by Jonny Greenwood
18. There’s No Leaving Now by The Tallest Man On Earth
19. Transcendental Youth by The Mountain Goats
20. A Church That Fits Our Needs by Lost In The Trees
21. Hospitality by Hospitality
22. Free Dimensional by Diamond Rings
23. History Speaks by Deep Sea Diver
24. A Different Ship by Here We Go Magic
25. Negotiations by the Helio Sequence
26. Moms by Menomena
27. The Sound of the Life of the Mind by Ben Folds Five
28. Shields by Grizzly Bear
29. Every Child A Daughter, Every Moon A Sun by The Wooden Sky
30. Fragrant World by Yeasayer
31. Reign of Terror by Sleigh Bells
2011 Musical Bacon Calendar
2010 Musical Bacon Calendar
2009 Musical Bacon Calendar
#2 on the 2012 Musical Bacon Calendar
An Awesome Wave by Alt-J
Sometimes you hear a song and your immediate reaction is mixed. On one hand, “this song is AWESOME.” On the other, “something is off. I’m going to hate this in 6 months.” You know those bands. The ones that create an absolutely of-the-moment song that sounds great, gets tons of airplay, burns everyone out on their work, and then falls off into obscurity never to produce another good song. The signs pointing to “one hit wonder” are many and bright, so I’m rarely wrong when I have this feeling. But I’m also not afraid to admit when I’m wrong.
∆, pronounced “Alt-J” — named after the keyboard combination you type on a Mac to make a Greek Delta symbol: “∆” — certainly seemed like a flash in the pan. Their song “Something Good” was in daily rotation on KEXP, and I did like the song quite a bit. But at the same time, the negative backlash I was hearing from my local circle of trusted music critics was influencing my desire to listen to the band. Hearing great things about the band in other places finally pushed me over the edge. I bought the album, and quickly fell in line with the others who were heaping positive comments on the band. When an album causes wild fluctuations in opinion, like “#1 of the year” to “4.8 out of 10,” you know they’re doing something right.
Alt-J is made up of four guys from Leeds, England, who met in college in 2007. They worked and perfected the songs on An Awesome Wave over five years before releasing it in May 2012. Their music is most easily described as techno indie pop, although most of the music is actually created by traditional analog instruments. The music is very personal at times, so it is surprising to me to see that the recorded work is not the result of one person tinkering away in Pro Tools, but is truly a collaboration of the four musicians working in a Brixton-based studio.
There are hints on many other bands in their sound, but the vocals of lead singer Joe Newman are distinct, sounding something like an affected Sting. The songs on the album are diverse and infectious, nearly every song on the album could be a hit, imminently listenable. There are a number of videos available for viewing and listening:
- “Breezeblocks,” is my favorite of the bunch, but be warned: this is disturbingly violent. It’s interesting because it’s slow-motion, in reverse, showing the slow-reveal of a domestic dispute gone horribly awry.
- “Tesselate,” featuring a room full of thugs having strange conversations and making random triangular symbols.
- “Fitzpleasure,” with strange, digitally-enhanced dancing, shown above, and a French video version that is entirely different and not NSFW.
- “Matilda,” showing a slow blend of faces.
I do like An Awesome Wave quite a bit, but I couldn’t put it at #1. There’s one more album out there that I listened to more than any other album this year, and it’s a doozy. Stay tuned for the best album of the year, to be posted tomorrow.
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3. Gossamer by Passion Pit
4. Lion’s Roar by First Aid Kit
5. Maraqopa by Damien Jurado
6. Shallow Bed by Dry The River
7. Valtari by Sigur Rós
8. The Heist by Macklemore and Ryan Lewis
9. Heaven by The Walkmen
10. State Hospital EP by Frightened Rabbit
11. A Thing Called Divine Fits by Divine Fits
12. Some Nights by fun.
13. Tramp by Sharon van Etten
14. Fear Fun by Father John Misty
15. Love This Giant by David Byrne and St. Vincent
16. To The Treetops! by Team Me
17. The Master: Original Motion Picture Soundtrack by Jonny Greenwood
18. There’s No Leaving Now by The Tallest Man On Earth
19. Transcendental Youth by The Mountain Goats
20. A Church That Fits Our Needs by Lost In The Trees
21. Hospitality by Hospitality
22. Free Dimensional by Diamond Rings
23. History Speaks by Deep Sea Diver
24. A Different Ship by Here We Go Magic
25. Negotiations by the Helio Sequence
26. Moms by Menomena
27. The Sound of the Life of the Mind by Ben Folds Five
28. Shields by Grizzly Bear
29. Every Child A Daughter, Every Moon A Sun by The Wooden Sky
30. Fragrant World by Yeasayer
31. Reign of Terror by Sleigh Bells
2011 Musical Bacon Calendar
2010 Musical Bacon Calendar
2009 Musical Bacon Calendar
#3 on the 2012 Musical Bacon Calendar
Gossamer by Passion Pit
I’ve been on the Passion Pit bandwagon for many years now. Their debut album “Manners” was #1 on the inaugural Musical Bacon Calendar (then called the “Musical Advent Calendar”), because that album defined 2009 for me. After spending most of 2010 and 2011 touring on the heels of that album, I had my doubts that the band was going to be able to come out of the recording studio with something awesome.
After all, a lot had changed since the release of that first EP and consequent album. Lead singer/songwriter Michael Angelakos tore his vocal chords to shreds while singing his high-powered falsetto day in and day out during the grueling touring schedule. He suffered from huge amounts of self-induced pressure in trying to capture his former greatness on the new record. He’s bipolar, according to this article from The Guardian earlier this year, which apparently resulted in a long drunken haze when the writer’s block was at its worst.
But when he pulled it all together, he had created “I’ll Be Alright,” the awesome song heard in the video above. And then the rest of the Gossamer fell in line. I think a lot of people, including myself, had written the band off as a one-hit wonder, or at least a one-album wonder. So when this album came out, I think “cautious optimism” would probably be too strong a statement for what I approached the album with. I was damn near reluctant to listen to it, for fear it would blow up my high opinion of the band.
And it wasn’t an immediate love. Other than “I’ll Be Alright,” which was mind blowing the first time I heard it, the rest of the album needed time to plant itself in my brain before I liked it. Once it found purchase, it began to grow in presence, taking over all of my available listening time. There was an eventual period late in the summer where I listened to nothing but this album.
If you’ve liked Passion Pit in the past, pick up Gossamer. If you’ve not heard Passion Pit before, don’t start with this album. Look for Manners. It is and will always be the best album this band has produced. But Gossamer sure gave it a run for its money, and went a long way in proving that they aren’t just a flash in the pan. Check it out the next chance you get.
(There’s also a nice little iPhone app you can download, featuring a couple songs from the album in a new and interactive way. Pick it up here.)
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4. Lion’s Roar by First Aid Kit
5. Maraqopa by Damien Jurado
6. Shallow Bed by Dry The River
7. Valtari by Sigur Rós
8. The Heist by Macklemore and Ryan Lewis
9. Heaven by The Walkmen
10. State Hospital EP by Frightened Rabbit
11. A Thing Called Divine Fits by Divine Fits
12. Some Nights by fun.
13. Tramp by Sharon van Etten
14. Fear Fun by Father John Misty
15. Love This Giant by David Byrne and St. Vincent
16. To The Treetops! by Team Me
17. The Master: Original Motion Picture Soundtrack by Jonny Greenwood
18. There’s No Leaving Now by The Tallest Man On Earth
19. Transcendental Youth by The Mountain Goats
20. A Church That Fits Our Needs by Lost In The Trees
21. Hospitality by Hospitality
22. Free Dimensional by Diamond Rings
23. History Speaks by Deep Sea Diver
24. A Different Ship by Here We Go Magic
25. Negotiations by the Helio Sequence
26. Moms by Menomena
27. The Sound of the Life of the Mind by Ben Folds Five
28. Shields by Grizzly Bear
29. Every Child A Daughter, Every Moon A Sun by The Wooden Sky
30. Fragrant World by Yeasayer
31. Reign of Terror by Sleigh Bells
2011 Musical Bacon Calendar
2010 Musical Bacon Calendar
2009 Musical Bacon Calendar
#4 on the 2012 Musical Bacon Calendar
Lion’s Roar by First Aid Kit
The album at #4 for the year also contains my #1 song of the year. I don’t tend to chart my favorite songs, as I’m very much an album listener over any one song on a record, but I have to make an exception for “Emmylou,” the second song on First Aid Kit’s lovely album Lion’s Roar. An ode to the beauty of famous country songwriter couples Graham Parsons & Emmylou Harris, Johnny & June Cash, the song feels like a fictionalized country & western past brought to life through drippingly sappy dual harmonies. It is gorgeous, and that song alone, shown in the video above, will make me think of 2012 more than any other song.
The album is equally breathtaking. These two Swedish sisters know how to craft a song. You may think you don’t like country music, but as cliché as it sounds, this isn’t anything like the country music you’ve tried hard not to hear before. I beg you to give this a listen, to hear the earnestness in their voices, the finger-picking and slide-playing guitars, those harmonies. Total beauty in recorded sound.
I got to see the band perform at the Croc back in April, and I wrote a long piece about the show over on Another Rainy Saturday:
First Aid Kit, sisters Johanna and Klara Söderberg — 22 and 19 respectively — have been playing and performing together for a very long time. The first time I (and probably most everyone else at the show) heard them was in 2008, when they posted a video of the two of them beautifully singing Fleet Foxes’ “Tiger Mountain Peasant Song.” Unfortunately, I missed the release of their Karin Dreijer Andersson-produced EP, Drunken Trees, shortly after that video was posted, as well as their 2010 debut album, The Big Black & The Blue. But when I heard “Emmylou,” from their 2nd album The Lion’s Roar for the first time earlier this year, the memory of what I loved about that original video — the range of their amazing vocal talents — came rushing back.
There were some great little moments in that performance at the Croc that really sealed the deal for me on First Aid Kit:
For the song “Ghost Town,” from their debut album, they chose to do an experiment. Asking the crowd to get quiet, and the Croc to cut the loud fan hanging above, the sisters came out to the edge of the stage. Encouraging the crowd to sing along, and Johanna on an unplugged guitar, they proceeded to sing the song entirely mic-less. Their voices were strong enough to be heard over the crowd, quietly singing along with the chorus. It was gorgeous.
And also some rather big moments:
First Aid Kit’s songs make them appear wholesome and sheltered, even though this isn’t the first time they’ve been on a worldwide tour. But they managed to shatter that image with the performance of a single cover song, Patti Smith’s “Dancing Barefoot.” It was as if a new band had come out after a brief break. They were head banging, going a little wild with their instruments, and Klara, the younger of the two, did a great job with the spoken-word portion at the end of the song. It was raw, rough, and guttural — completely unlike the rest of the set.
Be sure to watch these other videos from the band: “Blue,” and “Wolf.” I’m going to be listening to this album for many many years to come. It comes with a built-in timelessness that will make it all the more easy to pick up at any time, in any era, and just bathe in it’s sound.
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5. Maraqopa by Damien Jurado
6. Shallow Bed by Dry The River
7. Valtari by Sigur Rós
8. The Heist by Macklemore and Ryan Lewis
9. Heaven by The Walkmen
10. State Hospital EP by Frightened Rabbit
11. A Thing Called Divine Fits by Divine Fits
12. Some Nights by fun.
13. Tramp by Sharon van Etten
14. Fear Fun by Father John Misty
15. Love This Giant by David Byrne and St. Vincent
16. To The Treetops! by Team Me
17. The Master: Original Motion Picture Soundtrack by Jonny Greenwood
18. There’s No Leaving Now by The Tallest Man On Earth
19. Transcendental Youth by The Mountain Goats
20. A Church That Fits Our Needs by Lost In The Trees
21. Hospitality by Hospitality
22. Free Dimensional by Diamond Rings
23. History Speaks by Deep Sea Diver
24. A Different Ship by Here We Go Magic
25. Negotiations by the Helio Sequence
26. Moms by Menomena
27. The Sound of the Life of the Mind by Ben Folds Five
28. Shields by Grizzly Bear
29. Every Child A Daughter, Every Moon A Sun by The Wooden Sky
30. Fragrant World by Yeasayer
31. Reign of Terror by Sleigh Bells
2011 Musical Bacon Calendar
2010 Musical Bacon Calendar
2009 Musical Bacon Calendar
#5 on the 2012 Musical Bacon Calendar
Maraqopa by Damien Jurado
I wonder what it must be like to have been writing music and performing continuously for the better part of two decades, a period of time in which you release 11 albums and 18 or so singles and EPs, and then, upon releasing your twelfth record, have it declared the best album of your career. This is exactly where I place Damien Jurado and his jaw-droppingly amazing new album Maraqopa.
I wouldn’t be surprised if you haven’t heard of Jurado — he’s been making music in Seattle for 17 years, but his following over that time has not remained consistent, and he’s generally played venues smaller than the 1,100-person Showbox Market every time he’s played. Up until Maraqopa, I would have defined him as your typical indie folk singer/songwriter. Most if not all of his albums are quite enjoyable, but they’re fleeting. The music doesn’t hook you.
Maraqopa is different. Maraqopa intrigues right from the first note. It’s hard for me to put my finger on why this album is so much better than all his previous albums. It’s definitely more psychedelic, with off-kilter sounds, distant echoes and frayed edges. But there are also blended harmonies, intimate pauses, put together in this intricately layered tapestry of sound. Jurado’s voice remains as it always has, evoking thoughts of early Neil Young, but this time, along with the beautiful orchestration, there are hints of Nick Drake, as if he were haunting the recording studio when the album was being put to tape. Watch the video above, from a live session at KEXP back in February, with the Head and the Heart singing backup, and tell me this song doesn’t move you.
You can also watch a couple “official” videos from the album. There’s one for “Museum of Flight” and one for “Nothing Is The News.”
I first saw Jurado perform back in 2001, at Graceland (now El Corazon), when he opened for the on-the-cusp Death Cab For Cutie. It was a couple months before his I Break Chairs album, which he recorded with another Seattle staple, Dave Bazan, who at that time was still singing with Pedro the Lion. That show was great, and I used to love that album, but it’s fallen out of favor for me. I can tell you right now this new album won’t be falling. Ever.
(Incidentally, in trying to find more information about this show back in 2001, I discovered that while I was watching Jurado open for a band that was soon going to be the biggest export from Seattle since Nirvana, across town performing at the Showbox Market was none other than Elliott Smith. I love Jurado and Death Cab as much as the next guy, and this was a GREAT show, but I clearly chose the wrong show to be at that night, eh?)
I’ve seen Jurado numerous times since then, and each time has been great. He has an unassuming presence, like he’s someone you’d like to invite over for dinner, or belly up to the bar with to shoot the shit for an hour. This outward friendliness gives me a sense of happiness to see him finally getting some larger recognition for his body of work, playing larger venues, and reaching further audiences. Maybe this is the start of something bigger. I’ll anxiously await the unknown, listening to Maraqopa along the way.
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6. Shallow Bed by Dry The River
7. Valtari by Sigur Rós
8. The Heist by Macklemore and Ryan Lewis
9. Heaven by The Walkmen
10. State Hospital EP by Frightened Rabbit
11. A Thing Called Divine Fits by Divine Fits
12. Some Nights by fun.
13. Tramp by Sharon van Etten
14. Fear Fun by Father John Misty
15. Love This Giant by David Byrne and St. Vincent
16. To The Treetops! by Team Me
17. The Master: Original Motion Picture Soundtrack by Jonny Greenwood
18. There’s No Leaving Now by The Tallest Man On Earth
19. Transcendental Youth by The Mountain Goats
20. A Church That Fits Our Needs by Lost In The Trees
21. Hospitality by Hospitality
22. Free Dimensional by Diamond Rings
23. History Speaks by Deep Sea Diver
24. A Different Ship by Here We Go Magic
25. Negotiations by the Helio Sequence
26. Moms by Menomena
27. The Sound of the Life of the Mind by Ben Folds Five
28. Shields by Grizzly Bear
29. Every Child A Daughter, Every Moon A Sun by The Wooden Sky
30. Fragrant World by Yeasayer
31. Reign of Terror by Sleigh Bells
2011 Musical Bacon Calendar
2010 Musical Bacon Calendar
2009 Musical Bacon Calendar
#6 on the 2012 Musical Bacon Calendar
Shallow Bed by Dry The River
I don’t know if I’ve ever thought of a band as “radio friendly” — meaning, seemingly produced specifically for commercial radio — and underrated at the same time. I find plenty of bands being “radio friendly” or underrated, but those traits simply don’t go — or, really, belong — together. And that’s precisely why I like Dry The River.
You’ve probably never heard of these guys, which astounds me. They seem to be perfectly tailored to blowing up the charts. Maybe it’s poor marketing here in the U.S., or maybe they’re truly not as great as I feel they should be. They’re fairly big in their homeland of London, England, though: Shallow Bed, which was released in March, peaked at #28 on the UK album charts — not something to shake a stick at. And even though I feel the album is a touch over-produced, they have the masterful Peter Katis listed as producer for the album. Katis produced many a Bacon Calendar Alumni (e.g., #5 in 2009 and #7, #2 and #1 in 2010, &c.) — christ, no wonder I love this album.
The band has five members: Peter Liddle, who plays guitar and is the lead singer, singing entirely in falsetto; Matthew Taylor on backing vocals, keyboards and guitar; Scott Miller on bass and backing vocals (the three of them make fantastic harmonies together); Jon Warren on drums, and Will Harvey, mostly on violin, but also on a few other stringed instruments. I got to see the band at Sasquatch! 2012, and I wrote at the time, “I predicted that they would slay on stage, and I couldn’t have been more right.”
As a good friend said to me after seeing their performance: “They like the bombast.” One of the backbones of any good, epic song is to start real quiet and then build to a triple-guitar crescendo. Dry The River discovered this mechanism on the first song of the album, and then carried it through to nearly every other song within. After as many listens as I’ve given this album (it was my 2nd-most listened to album this year), it can get a bit tiresome. But if you’ve not heard the album, you’ve got at least 50 rotations on the album before you’ll hit the same point I have.
The video for “New Ceremony,” above, is what originally hooked me on the band, but be sure to check out their other videos as well: “Chambers and the Valves,” “Weights and Measures,” and the king of the bombastic: “No Rest” (and an alternate video for that song, featuring arguably the best poster I’ve ever seen).
The band is nice enough to recognize their own faults, as they recently released Shallow Bed Acoustic, an entirely new, entirely quiet recording of the same album. It is equally as good.
I think this won’t be the last we’ve heard of Dry The River. Perhaps they’re new record (slated for recording in January) will be even more amazing, and more widely spread. For now, we have two versions of Shallow Bed to keep us occupied.
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7. Valtari by Sigur Rós
8. The Heist by Macklemore and Ryan Lewis
9. Heaven by The Walkmen
10. State Hospital EP by Frightened Rabbit
11. A Thing Called Divine Fits by Divine Fits
12. Some Nights by fun.
13. Tramp by Sharon van Etten
14. Fear Fun by Father John Misty
15. Love This Giant by David Byrne and St. Vincent
16. To The Treetops! by Team Me
17. The Master: Original Motion Picture Soundtrack by Jonny Greenwood
18. There’s No Leaving Now by The Tallest Man On Earth
19. Transcendental Youth by The Mountain Goats
20. A Church That Fits Our Needs by Lost In The Trees
21. Hospitality by Hospitality
22. Free Dimensional by Diamond Rings
23. History Speaks by Deep Sea Diver
24. A Different Ship by Here We Go Magic
25. Negotiations by the Helio Sequence
26. Moms by Menomena
27. The Sound of the Life of the Mind by Ben Folds Five
28. Shields by Grizzly Bear
29. Every Child A Daughter, Every Moon A Sun by The Wooden Sky
30. Fragrant World by Yeasayer
31. Reign of Terror by Sleigh Bells
2011 Musical Bacon Calendar
2010 Musical Bacon Calendar
2009 Musical Bacon Calendar