The Bacon Review

An annual Top 31 countdown of the best albums of the year

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#31 on the 2022 Bacon Top 31 — FKA twigs

January 01, 2023 by Royal Stuart in Top 31

Welcome to the fourteenth annual Bacon Top 31. 14! At the completion of this list, I’ll have written a blog post for 436 albums since I began back in 2009. And I still look forward to writing and sharing my top albums, every year. It’s likely because I don’t write throughout the rest of the year. Rather, I listen. My music consumption remains as active as ever: I constantly seek out new albums, and I’m almost always listening to the album I most recently found. The act of collating, ordering, writing about and weighing each against the others as well as the events of the year that led them to be loved by me hits many different pleasure points in my brain.

14 years as an amount of time feels relatively short, until you really start to examine what has transpired in the interim. In 2009, for instance, Barack Obama was inaugurated as the 44th US president and Michael Jackson died; Captain Philips’ cargo ship was boarded by pirates and Captain Sully Sullenberger landed his plane safely in the Hudson River (both stories were recreated as movies with Tom Hanks in the lead, in 2013 and 2016, respectively). In 2009, the iPhone 3GS was released, Facebook had not quite reached 500 million users (they’re now at nearly 3 billion users monthly), and Instagram had not even been invented yet!

That’s enough about the past, let’s get back to the present. For the next 31 days I’ll be counting down my favorite albums from 2022. I hope you read and listen alongside me, confirm or deny your own preferences against mine, and find some new music you hadn’t yet heard. Let’s get to it.

CAPRISONGS by FKA twigs

By the time Tahliah Debrett Barnett, otherwise known as FKA twigs, released her first official recording, 2012’s EP1, at 24, she’d been making a name for herself as a backup dancer in music videos, for the likes of Kylie Minogue, Jessie J, and Ed Sheeran. EP1 had four songs, and a year later, EP2 came out with an additional four songs. Twigs learned early on how to channel the raw energy that comes from dancing in sex-and-image-first videos into her own music: she produced a video for each of those eight songs on the first two EPs, understanding the influence those visuals could have on her listening world.

In 2014 she released her first full length, LP1, which was the #10 album that year. That album had twigs singing in her signature falsetto, softly and intimately as if she’s lying next to you on the same pillow, with her lips next to your ear. CAPRISONGS is much more forward, more bold.

The album is technically a mixtape, but don’t look to me to define the difference between that and an album — I tried to figure it out, but failed. Twigs brings the term to the fore by peppering the album with the sounds of a cassette tape being loaded and a tangible, tactile PLAY button being pushed. Perhaps calling this a mixtape rather than an album is the easiest way twigs could break her own mold. Her falsetto is still there, but so, too, is her naturally-unaffected voice, sometimes pushed through machine modification, sometimes angrily barked. Many guest singers and rappers appear alongside twigs throughout the record: Pa Salieu, Dystopia, Rema, Daniel Caesar, Jorja Smith, and Unknown T all make an appearance. The Shygirl fueled “papi bones” is a personal favorite, with its driving, dance-heavy beat that demands the listener move their body. The Weeknd makes the biggest splash on the album, with the duet “tears in the club” featured in the video above.

fka Twigs is an enigma, a blend of beat-heavy indie pop, avant garde artistry, and primal urge. She flourishes at the intersection of Björk (artistic musical expression), Grimes (indie dance yumminess), and The Knife/Fever Ray’s Karin Dreijer (thrill and horror imagery), and if you like any one of those artists then you’ll feel right at home with CAPRISONGS. Seek it out at the links below, and then check back in tomorrow for something entirely different.

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There are many ways to listen to the 2022 Bacon Top 31. Subscribe now and enjoy the new albums / songs as they are revealed on the countdown!

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All albums in their entirety.

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Radio Station
A single song selection pulled from each album.

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January 01, 2023 /Royal Stuart
2022, advented, fka twigs, the weeknd, bjork, grimes, the knife, fever ray, karin dreijer andersson
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#21 on the 2017 Bacon Top 31

January 11, 2018 by Royal Stuart

Plunge by Fever Ray

And now for the strangest (and probably more divisive than Kendrick Lamar, musically) entry on the 2017 Top 31: Fever Ray. If you like Fever Ray, the band, then you’ve probably already latched onto this album and are loving it. If you don’t know who Fever Ray is, then prepare to be equally angered, frightened, and dumbfounded by what you’re about to hear. Maybe you’ll like it, maybe you won’t.

Fever Ray is the stage name of Karin Dreijer Andersson, who is half of the famed Swedish electronic brother-sister duo The Knife. The Knife had some amazing albums when they were together, and now Fever Ray carries the Swedish dark electronic torch. And boy does it get dark.

Her eponymous debut album made #18 on the 2009 Top 31, and here we are eight years later with Plunge. Andersson has a unique sound and voice that is unmistakably hers, and Plunge is no different. But within the album, she seems to be pushing things further, into more difficult territory, similarly to what Björk has been doing on her last few albums. But while Björk has managed to find a zone that is completely unlistenable to me, Fever Ray manages to pull it off a little bit better.

I only cringe a little when I’m listening to Plunge. But I do make a point to make sure no children are within earshot, as the music can get quite vulgar in addition to the darkness, with lines like that from the song “This Country,” which has the lovely line “This house makes it hard to fuck” and “This country makes it hard to fuck” repeated over and over and over again.

Fever Ray’s visual output is every bit as dark and interesting as the audio. The video above, for the song “To the Moon and Back,” you’ll notice, is labeled “Part III.” That’s because there were two disturbing, minute-long shorts that were released prior to the video (Part I: Switch Seeks Same and Part II: A New Friend).

I believe I’ll continue to listen and be intrigued by Fever Ray for the entirety of her musical career. And I doubt I’ll ever feel at ease about it. And somehow that’s a good thing.

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22. DAMN. by Kendrick Lamar
23. Capacity by Big Thief
24. The Tourist by Clap Your Hands Say Yeah
25. CCFX EP by CCFX
26. Woodstock by Portugal. The Man
27. MASSEDUCTION by St. Vincent
28. On the Spot by Hot 8 Brass Band
29. A Deeper Understanding by The War on Drugs
30. Planetarium by Sufjan Stevens, Nico Muhly, Bryce Dessner, & James McAlister
31. A Moment Apart by Odesza

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2009-2016 Top 31s

January 11, 2018 /Royal Stuart
2017, advented, fever ray, bjork, karin dreijer andersson, the knife
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November 13, 2012 by Royal Stuart

Bjӧrk, “Mutual Core,” from last year’s Biophilia, of which the official remix album Bastards comes out next week.

(do check out that home page when you get a chance. It’s bizarrely beautiful.)

November 13, 2012 /Royal Stuart
bjork, watched
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