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An annual Top 31 countdown of the best albums of the year

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#4 on the 2023 Bacon Top 31 — Caroline Polachek

January 28, 2024 by Royal Stuart in Top 31

Desire, I Want to Turn Into You by Caroline Polachek

Every year for the past few years the Bacon Top 31 family has latched onto a single dance/pop-driven woman-led artist that has carried us through the year. Last year it was Beyoncé, the year before that, Japanese Breakfast, Sylvan Esso in 2020, 2019: Lizzo, 2018 had three, with Chvrches and Janelle Monáe and Christine and the Queens all in the Top 10. 2023 was no different. Caroline Polachek’s unbelievably good Desire, I Want to Turn Into You is the Bacon Review’s most-loved pop album of 2023.

Caroline Polachek has been around the music scene for quite some time, but only in the last 4 years or so has she started to see the kind of attention her presence deserves. You may remember her from her ’00s and ’10s band Chairlift, whose biggest hit was in 2009 (“Bruises,” which you may recognize thanks to its repeated refrain “I tried to do hand stands for you.” Just watch that video and see a mid-20s Polachek doing her thing). While remaining in Chairlift, Polachek released her first solo album, Arcadia, under the pseudonym “Ramona Lisa.” Chairlift released their final album in 2016 and broke up after their final tour in 2017, but not before Polachek had released her second solo album, Drawing the Target Around the Arrow, this time under her initials, CEP, while also appearing on other artist’s work, such as Charlie XCX.

But it wasn’t until 2019’s Pang, released finally under her full, given name, where Polachek started to find her real niche. I haven’t listened to Pang, yet, but my sources (aka: online music sites and wikipedia) tell me it was “well-received” and “critically acclaimed.” My first recognition of the “Caroline Polachek” version of Polachek came in 2021, shortly after she released the single “Bunny is a Rider.” It’s a fast-paced, ear-worm of a song, and if you watch the video you’ll hear why I instantly fell in love with it. Throughout 2022 she released a handful of additional singles: “Billions,” “Sunset” (featured above), and “Welcome to My Island.” By the time Desire, I Want to Turn Into You was released on Valentine’s Day, 2023, thanks to those early-released singles I’d already played a third of the album on repeat for the better part of a year.

“Sunset” is the standout for me. Flamenco-inspired, the song features an auto-tuned Polachek singing an otherworldly, wordless chorus. The song came out just two weeks before Season 2 of one of my favorite shows, White Lotus, came out on October 30, 2022. I don’t remember which I heard first: “Sunset” or the theme song to the show, but the two songs will forever be entwined in my brain. Listen for yourself (the video for “Sunset,” above, and the theme song to White Lotus Season 2), and I dare you to not feel the two songs were both made by some alien intelligence trying to seduce us.

A lot of the songs on the album put some affectation on Polachek’s voice that may make you think she couldn’t possibly produce the range on her own. Thankfully, we have her Tiny Desk Concert from October 2023 to prove us otherwise. She has the range and the talent — the affectation played into the album is there merely for added affect.

Despite her age (38) and the length of time she’s spent in the industry, there’s still some subtle awkwardness in how she moves in her videos. Watch the only other video she’s released from the album, for her song “Smoke,” and maybe you can see it, too. That extremely-subtle-but-still-there uncomfortableness in dancing for the camera reminds me of Taylor Swift. No matter how big or comfortable with they get with being in the spotlight, there’s something endearing about that little bit of “I’m just a regular person like you.”

Polachek may very well just be getting started with Desire. But after a nearly 20-year career in the music business, this could very well be the mountaintop that she chooses to exit the spotlight from, going out very much on top. That would be ok, too. She has proven to be a chameleon, capable of multitudes, and I am here for it.

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  1. PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation and The Silver Cord by King Gizzard & The Lizard Wizard
  2. Live at Bush Hall by Black Country, New Road
  3. Volcano by Jungle
  4. Javelin by Sufjan Stevens
  5. The Land Is Inhospitable and So Are We by Mitski
  6. Radical Romantics by Fever Ray
  7. Heavy Heavy by Young Fathers
  8. Blondshell by Blondshell
  9. All of This Will End by Indigo De Souza
  10. My Back Was A Bridge For You To Cross by Anohni and the Johnsons
  11. Sundial by Noname
  12. 10,000 gecs by 100 gecs
  13. For That Beautiful Feeling by The Chemical Brothers
  14. ÁTTA by Sigur Rós
  15. Chronicles of a Diamond by Black Pumas
  16. The Art of Forgetting by Caroline Rose
  17. Bewilderment by Pale Jay
  18. The Window by Ratboys
  19. Action Adventure by DJ Shadow
  20. Let’s Start Here. by Lil Yachty
  21. Pollen by Tennis
  22. Greg Mendez by Greg Mendez
  23. Teenage Sequence by Teenage Sequence
  24. everything is alive by Slowdive
  25. My Soft Machine by Arlo Parks
  26. I/O by Peter Gabriel
  27. Los Angeles by Jacknife Lee, Budgie & Lol Tolhurst

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View all previous years’ Top 31s

January 28, 2024 /Royal Stuart
2023, advented, caroline polachek, beyonce, japanese breakfast, sylvan esso, lizzo, chvrches, janelle monáe, christine and the queens, chairlift
Top 31
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#2 on the 2018 Bacon Top 31 — Chvrches

January 30, 2019 by Royal Stuart

Love Is Dead by Chvrches

Just barely missing out on their second #1 album in a row, here’s Glasgow, Scotland’s Chvrches with their third fantastic album, Love Is Dead. Chvrches (pronounced “churches”) has been a mainstay on the Top 31 since their debut album came out in 2013 and was #4 that year. Two years later, their follow-up, Every Open Eye, was the best album of 2015. And this new album marks their third straight 4th-or-better release, a phenomenal run by any standards.

Clearly I have a bias, but dancey pop music really doesn’t get any better than Chvrches. The trio, featuring Lauren Mayberry on lead vocals, and Martin Doherty and Iain Cook on synths and additional vocals, is defining an entire genre of sound for a generation. Just looking back at the lower albums in this year’s Top 31, Chvrches fingerprints are all over. Janelle Monáe, Christine and the Queens, and Wye Oak are all producing similar sounds, and that’s just within the Top 10. But Chvrches is the best.

My family agrees. I had the immense pleasure of taking my son to his first-ever, true concert, seeing Chvrches this past September, and it was glorious. The band put on their usual amazing set, and Mayberry bounced around the stage, amping up the crowd. My son is not one for big displays of emotion in public, so catching him singing along quietly to himself during the songs he knew was a big highlight for me. And if Dirty Computer is my daughter’s favorite album ever (she’s 15 months old), then Love is Dead is definitely her 2nd favorite. You should see the smile across her face when she hears those keyboards kick on.

It really feels as if Chvrches can do no wrong. Three albums, all at or near the top of their respective years’ releases. There are some great songs on this new album. “Miracle,” shown above, is one. There are two other videos from the album: “Get Out” and “Graffiti.” Matt Berninger, lead singer of Bacon Review favorites The National, also makes an appearance, on the song “My Enemy.” That song is a result of the two bands being on the same bill at Treasure Island Music Festival back in 2015, when Mayberry joined The National on stage for their song “I Need My Girl.” I love it when the bands I love have unexpected chance encounters and then decide to make music together.

With every new Chvrches album, I think maybe they’ve hit the peak, and the next one will see them backsliding. But then the new album comes out and it’s stellar. I like this kind of trajectory, and I look forward to listening to new and great Chvrches albums for the rest of my life.

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3. Twin Fantasy (Face to Face) by Car Seat Headrest
4. Dirty Computer by Janelle Monáe
5. The Horizon Just Laughed by Damien Jurado
6. Chris by Christine and the Queens
7. Wanderer by Cat Power
8. Tell Me How You Really Feel by Courtney Barnett
9. The Louder I Call, The Faster It Runs by Wye Oak
10. Ruins by First Aid Kit
11. Cocoa Sugar by Young Fathers
12. Loner by Caroline Rose
13. Big Red Machine by Big Red Machine
14. I’ll Be Your Girl by The Decemberists
15. The More I Sleep the Less I Dream by We Were Promised Jetpacks
16. Joy as an Act of Resistance by IDLES
17. Hell-On by Neko Case
18. Superorganism by Superorganism
19. Living in Extraordinary Times by James
20. Thank You for Today by Death Cab for Cutie
21. Black Panther: The Album by Kendrick Lamar
22. Suspiria (Music for the Luca Guadagnino Film) by Thom Yorke
23. Merrie Land by The Good, the Bad & the Queen
24. Room 25 by Noname
25. WARM by Jeff Tweedy
26. God's Favorite Customer by Father John Misty
27. Vessel by Frankie Cosmos
28. For Ever by Jungle
29. Twerp Verse by Speedy Ortiz
30. Remain in Light by Angélique Kidjo
31. This One’s for the Dancer & This One’s for the Dancer’s Bouquet by Moonface

Subscribe to the 2018 Bacon Top 31 Apple Music playlist
2009-2017 Top 31s

January 30, 2019 /Royal Stuart
2018, advented, chvrches, janelle monáe, christine and the queens, wye oak, the national, matt berninger
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#6 on the 2018 Bacon Top 31 — Christine and the Queens

January 26, 2019 by Royal Stuart

Chris by Christine and the Queens

If you’ve been paying attention to the Top 31 over these last 10 years, you’ll have noticed a strong affinity for indie pop that makes you want to jump up and down and pound your fist. Starting with my very first #1 (Passion Pit’s Manners), and then again with CHVRCHES at #1 in 2015 with Every Open Eye, I love me some catchy, synth-fueled pop. 2018 was a good year for this genre, as witnessed by the appearance of Wye Oak at #9 and Superorganism at #18, but now we can add an even better album to that mix: the sophomore album from French singer/songwriter Héloïse Letissier, otherwise known as Christine and the Queens, or Chris for short (which also happens to be the name of said album).

Letissier is a truly global singer, in that she has released both of her albums in their native French as well as in English. Some of the songs blend together French and English, because this is pop music and voice is just another instrument, really. I’ve not yet heard her 2014 debut, Chaleur humaine, but it sounds like I should rectify that soon given the acclaim that was heaped upon it by The Guardian, The Independent, Mojo, and NME (who all named it one of the best of 2014). I can’t get enough of this new album, though, in both languages.

When I first heard “Damn (what must a woman do)” on KEXP, I quickly reached for my phone to try and Shazam it, thinking it was some new amazing previously unreleased Michael Jackson bombshell of a song. Based on the power of that one song (which, unfortunately, doesn’t have a video, but you can listen to it here), I picked up the full length Chris, which comes as a double album — first the English versions and then the French. While her first album was recorded fully in French and then had the English words injected into it, Chris was written bilingual-ly from the beginning. If the song didn’t work in both English and French, it was reworked until it did, to amazing effect. At times, Letissier likes to use syllables and pieces of meaningless words in her songs, using her voice as an additional instrument rather than to convey any sort of overt meaning. A form of skat for the pop generation.

Be sure to watch and listen to the above video, and then explore some other videos from the album:

  • “La marcheuse”
  • “5 dollars”
  • “Doesn’t Matter (Voleur de Soleil)” or in English “Doesn’t Matter”
  • “Damn, dis-moi” (shown above) or in English “Girlfriend”

Letissier is only going to get bigger. She’s working towards taking over the world, and you‘d better get on this train now, lest you be left behind.

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7. Wanderer by Cat Power
8. Tell Me How You Really Feel by Courtney Barnett
9. The Louder I Call, The Faster It Runs by Wye Oak
10. Ruins by First Aid Kit
11. Cocoa Sugar by Young Fathers
12. Loner by Caroline Rose
13. Big Red Machine by Big Red Machine
14. I’ll Be Your Girl by The Decemberists
15. The More I Sleep the Less I Dream by We Were Promised Jetpacks
16. Joy as an Act of Resistance by IDLES
17. Hell-On by Neko Case
18. Superorganism by Superorganism
19. Living in Extraordinary Times by James
20. Thank You for Today by Death Cab for Cutie
21. Black Panther: The Album by Kendrick Lamar
22. Suspiria (Music for the Luca Guadagnino Film) by Thom Yorke
23. Merrie Land by The Good, the Bad & the Queen
24. Room 25 by Noname
25. WARM by Jeff Tweedy
26. God's Favorite Customer by Father John Misty
27. Vessel by Frankie Cosmos
28. For Ever by Jungle
29. Twerp Verse by Speedy Ortiz
30. Remain in Light by Angélique Kidjo
31. This One’s for the Dancer & This One’s for the Dancer’s Bouquet by Moonface

Subscribe to the 2018 Bacon Top 31 Apple Music playlist
2009-2017 Top 31s

January 26, 2019 /Royal Stuart
2018, advented, christine and the queens, michael jackson
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