#9 on the 2019 Bacon Top 31 — Bon Iver

i,i by Bon Iver

Justin Vernon, the driving force behind Bon Iver, has been a personal favorite of mine since his debut album For Emma, Forever Ago was released back in 2007. Every one of his releases has been on the Top 31 since the list’s inception (his Blood Bank EP was #17 in 2009, the self-titled Bon Iver was #6 in 2011, and his 2016 album, 22, A Million, was at the top of the list that year and is most definitely in my top 30-50 albums of all time, but I’ve never put that list to paper).

i,i, his fourth full-length album, is yet another beautiful feather in Vernon’s cap. With its release, Bon Iver has reached potential “greatest band” status according to my and my good friend Morgan’s self-imposed rule that governs such things: an artist must have four top-rated albums to qualify for such vaunted categorization. The fact that it’s his first four albums is a feat rarely achieved in music at any time, let alone in modern day. In trying to think of another band’s initial four albums that can be rated in the same way, my mind has to go all the way back to Led Zeppelin I-IV to find a similar stretch of greatness. Nearly unprecedented. As I’m writing this, I’m probably going to regret ranking i,i at #9. Bon Iver’s albums tend to surprise me in their longevity. I may have listened to other bands’ output more in 2019, but it’s probably i,i that I’ll be reaching for regularly in five years time.

The album features an impressive list of collaborators. The band itself has a larger roster than on previous albums: Justin Vernon on vocals, keyboards, guitar; Sean Carey on drums, keyboards, vocals; Matthew McCaughan on drums, vocals; Michael Lewis on bass, saxophone, keyboards, vocals; Andrew Fitzpatrick on guitar, keyboards, vocals; and Jenn Wasner on guitar, vocals. Additionally, James Blake, Aaron Dessner, and Bruce Hornsby all feature prominently across the album.

The songs themselves feel in keeping with 22, a million, but more deconstructed, as if the band picked up the blips, bloops, and blorks from the proverbial cutting room floor and reassembled them into a compelling whole. “Hey, Ma” is the highlight of the production, followed quickly by “U (Man Like)”. Taken out of context, these two songs feel like they could easily have come from a long-lost Bruce Hornsby album. I would have never in a million years drawn a line from Hornsby (he of “The Way It Is” with his band The Range) to Iver, if not for the fact that Hornsby is actually on this album. Knowing that fact, it’s impossible to not see his influence, in the best way possible.

I’m blown away by Vernon’s consistency and departures across his four albums. If you were a fan of 22, a million then you’ll love this new Bon Iver album. Check it out as soon as you can.

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10. Kiwanuka by Michael Kiwanuka
11. The Destroyer (Parts 1 + 2) by TR/ST
12. When We All Fall Asleep, Where Do We Go? by Billie Eilish
13. Cheap Queen by King Princess
14. Anima by Thom Yorke
15. Everything Not Saved Will Be Lost Parts 1 + 2 by Foals
16. Gallipoli by Beirut
17. My Finest Work Yet by Andrew Bird
18. Four of Arrows by Great Grandpa
19. Designer by Aldous Harding
20. Norman Fucking Rockwell! by Lana Del Rey
21. Our Pathetic Age by DJ Shadow
22. Juice B Crypts by Battles
23. Pony by Orville Peck
24. Hyperspace by Beck
25. Eraserland by Strand of Oaks
26. Dogrel by Fontaines DC
27. You’re the Man by Marvin Gaye
28. Big Wows by Stealing Sheep
29. 1000 gecs by 100 gecs
30. In the Morse Code of Brake Lights by The New Pornographers
31. Radiant Dawn by Operators

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2009-2018 Top 31s

#21 on the 2018 Bacon Top 31 — Kendrick Lamar

Black Panther: The Album by Kendrick Lamar

From one type of movie soundtrack at #22 to a completely different take here at #21. Black Panther was the highest grossing movie of 2018, and the Kendrick Lamar-produced soundtrack album of songs in and inspired by the movie holds up well to scrutiny. A movie soundtrack this good hasn’t come out since The Life Aquatic with Steve Zissou came out in 2004.

This isn’t the first time that Lamar has been on the Top 31. His last album was #22 in 2017 and his seminal To Pimp a Butterfly was (erroneously) ranked all the way down at #29 in 2015. The man knows how to put the right people (producers, musicians, rappers) together to support his hard hitting, poignant lyrics, and this soundtrack is no different.

This being a Disney movie from the venerable Marvel Cinematic Universe, the album is most surprising in its apparent freedom from oversight. The album’s 14 songs are chock full of explicit lyrics and un-kid-friendly imagery. It’s an album that simply could not have been made five or ten years ago. Compare the Black Panther soundtrack to Prince’s Batman soundtrack from 1989 (incidentally, my first-ever CD purchase). This is Prince at his most-owned by his oppressive Warner Bros. contract, and the treacly, movie-sample laden songs, while massively popular when they were released, have not stood the test of time (have you tried to listen to it lately? It’s awful.)

But this Black Panther soundtrack, even though it includes some very similar movie samples within, is something different. This is a Kendrick Lamar album for an even larger audience than he’s already enjoyed, that just so happens to be tied to a movie. Full of interesting, cross-genre mashups (including SZA, 2 Chainz, The Weeknd and James Blake, just to name a few), the songs on this album radiate with energy. If you’ve not been a fan of Lamar’s work in the past, maybe this is your gateway into his genius. Give it at least one listen, if not more. You will not be disappointed.

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22. Suspiria (Music for the Luca Guadagnino Film) by Thom Yorke
23. Merrie Land by The Good, the Bad & the Queen
24. Room 25 by Noname
25. WARM by Jeff Tweedy
26. God's Favorite Customer by Father John Misty
27. Vessel by Frankie Cosmos
28. For Ever by Jungle
29. Twerp Verse by Speedy Ortiz
30. Remain in Light by Angélique Kidjo
31. This One’s for the Dancer & This One’s for the Dancer’s Bouquet by Moonface

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2009-2017 Top 31s

#4 on the 2016 Bacon Top 31

(video above is NSFW)

Blonde by Frank Ocean

I’m not gonna lie: I like the sound of extreme autotune. So long as it’s being used to push the limits, calling attention to its own “digital-ness,” then I’m all for it. You heard this quite prominently in Francis and the Lights, back at #21 on this year’s Top 31. And here we are all the way up at #4 with another heavily autotuned masterpiece, Frank Ocean’s Blonde.

Like Beyoncé at #6, Frank Ocean is a name I knew but didn’t pay much attention to before 2016. This is only Ocean’s 2nd release, coming out four years after his widely-acclaimed pop debut Channel Orange. I listened to Channel Orange back in 2012, but dismissed it as being way too over-hyped. I’m glad I didn’t give up on Ocean for good, because Blonde kills.

Not to beat a dead horse, but probably for the same reasons I love Beyoncé’s album so much, the endless sea of stellar partnerships makes this album so great. There are a TON of guest artists on this album, from André 3000, to Beyoncé herself, James Blake, Rostam Batmanglij (featured at #19), and even a string arrangement by Jonny Greenwood (featured at #10). I’m pretty sure there are about 80 collaborators / personnel listed on the wikipedia page for this album). You could fill an entire Grammy awards just with the people on it.

But unlike Beyoncé’s album, this is not something for everyone. The song structure is a bit on the bizarre (which is another reason why I like it so much), but when it clicks, it’s fantastic. There are even a couple spoken-word “songs” on it that I skip outright. But I encourage you to give this at least three listens before dismissing it. If you’re like me, it’ll sink it’s claws in well before you finish the third lap, and then you won’t want to stop listening.

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5. Are You Serious by Andrew Bird
6. Lemonade by Beyoncé
7. Teens of Denial by Car Seat Headrest
8. Goodness by The Hotelier
9. The Mountain Will Fall by DJ Shadow
10. Junun by Shye Ben Tzur, Jonny Greenwood & The Rajasthan Express
11. The Hope Six Demolition Project by PJ Harvey
12. Amen & Goodbye by Yeasayer
13. Sea of Noise by St. Paul & The Broken Bones
14. You Want It Darker by Leonard Cohen
15. Painting Of A Panic Attack by Frightened Rabbit
16. Why Are You OK by Band Of Horses
17. Not To Disappear by Daughter
18. Sunlit Youth by Local Natives
19. I Had a Dream That You Were Mine by Hamilton Leithauser + Rostam
20. ★ by David Bowie
21. Farewell, Starlite! by Francis and the Lights
22. This Unruly Mess I’ve Made by Macklemore & Ryan Lewis
23. LNZNDRF by LNZNDRF
24. Puberty 2 by Mitski
25. Light Upon the Lake by Whitney
26. A Corpse Wired for Sound by Merchandise
27. Away by Okkervil River
28. case/lang/veirs by case/lang/veirs
29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#6 on the 2016 Bacon Top 31

Lemonade by Beyoncé

There’s a first time for everything. Yes, here at #6 is Beyoncé. If you’re questioning why, then that must be because you haven’t listened to Lemonade yet. This is a force of an album. Rolling Stone gave it ★★★★★, a rating the (somehow still relevant after all these years) magazine has given to only 22 other albums in its history.

I think you could have guessed that I didn’t used to be a Beyoncé fan. I didn’t actively dislike her or her music, I just didn’t pay attention to her and her music. Of course I’d heard some of her songs, but before Lemonade I would have been hard pressed to name even one. I had forgotten that she was the former “centerpiece” of 90s phenomenon Destiny’s Child. What drew me to her? It was the hour-long video that went along with the release of the album. I missed it when it aired on HBO on April 23. But there was enough of a rumbling out there caused by its release that I sought out the video and watched it a few weeks later.

And that was all it took. One sitting, an hour long, running through all 12 of the albums tracks, with a stellar video performance for each one. From that point on, “Hold Up” — the 2nd song on the album — was stuck on repeat in my head. I bought the CD / DVD version of the album (yes, the CD, because it wasn’t available in vinyl or on the streaming services I subscribe to at the time), and then listened to it on repeat for a few weeks straight.

Every single song on this record kicks ass. It has guest appearances by a ton of people, like Jack White, The Weekend, James Blake, Kendrick Lamar, Diplo, and Ezra Koenig. It’s decidedly sparse in places, and pops in all the right ways. The lyrics are often pissed off and vulgar. In all ways, this album should be considered a stretch by Beyoncé, pushing her out of her pop music safe zone. Instead, it’s her best work yet, and it kills. You have not lived until you’ve heard this album. Get on that.

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7. Teens of Denial by Car Seat Headrest
8. Goodness by The Hotelier
9. The Mountain Will Fall by DJ Shadow
10. Junun by Shye Ben Tzur, Jonny Greenwood & The Rajasthan Express
11. The Hope Six Demolition Project by PJ Harvey
12. Amen & Goodbye by Yeasayer
13. Sea of Noise by St. Paul & The Broken Bones
14. You Want It Darker by Leonard Cohen
15. Painting Of A Panic Attack by Frightened Rabbit
16. Why Are You OK by Band Of Horses
17. Not To Disappear by Daughter
18. Sunlit Youth by Local Natives
19. I Had a Dream That You Were Mine by Hamilton Leithauser + Rostam
20. ★ by David Bowie
21. Farewell, Starlite! by Francis and the Lights
22. This Unruly Mess I’ve Made by Macklemore & Ryan Lewis
23. LNZNDRF by LNZNDRF
24. Puberty 2 by Mitski
25. Light Upon the Lake by Whitney
26. A Corpse Wired for Sound by Merchandise
27. Away by Okkervil River
28. case/lang/veirs by case/lang/veirs
29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations