#13 on the 2023 Bacon Top 31 — Indigo De Souza

January 19, 2024 by Royal Stuart in Top 31

All of This Will End by Indigo De Souza

There are many ways an artist can pay homage to an earlier time or work, and there’ve been a number of artists on this year’s Top 31 who are clearly referring to something previous. Teenage Sequence is kinda LCD Soundsystem. Greg Mendez is kinda Elliott Smith. Tennis, Kate Bush. Ratboys, Pale Jay, and Anohni equal Big Thief, Lee Fields and Nina Simone, respectively. As they say, imitation is the sincerest form of flattery.

Indigo De Souza, the Asheville, North Carolina-based, American-Brazilian singer-songwriter, whose fantastic third album All of This Will End is coming in at #13, is also phoning in directly from the referential dept. Take some Courtney Barnett rock n’ roll fuzz, some Liz Phair directness, and even some of Alanis’ production, and you’ll end up smack dab in the middle of this De Souza record. While it’s not breaking new musical ground (what is anymore, really?), it’s hitting all the right indie rock spots.

De Souza is blunt. The title of the new album is, as you might expect, related to the finality of everything. She told WhyNow.co.uk, “I know that I am fleeting and I’m dying.”

“I named the album All of This Will End because it took me a while to accept that. Once I was able to accept that, feel less afraid of it but more open to it and curious about it, my life started to become more meaningful because accepting you are a temporary thing is what gives way to meaning and intention and connection. “It doesn’t give way if you think you’re special and you’re never gonna die, or if you’re so afraid of death you can’t even think about it. I know the people I love are going to die and so am I, so I love them even more, and I put so much time and effort into showing up. “I basically do as much as I can to shine a light on any corner I can reach. Any corner beyond what I know is beyond my control. I try to pour as much intention into everything I do, as much as I can, because I want people to feel included and safe. I know how lonely it is to be alive, so it feels important to create community if it’s possible at all.”

That loneliness and finality shines through in the lyrics scattered throughout All of This. But the album is not sad and lonely – it is triumphant, loud, and in your face in the best way. Give the song above, “Smog,” a listen and you’ll see. Or watch one of the other videos from the album: “Younger & Dumber” (the quietest song on the album) and “You Can Be Mean” (not so quiet). Then put the album on when you’re angry at the world and want to take out your frustrations. You’ll be glad you did.

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#7 on the 2021 Bacon Top 31 — Snail Mail

January 25, 2022 by Royal Stuart in Top 31

Valentine by Snail Mail

At 22 years old, Lindsey Jordan has accomplished more than most. She’s released a critically-acclaimed debut album under her solo project name Snail Mail (2018’s Lush). She’s moved out and moved back in with her parents (thanks, Covid-19). And she’s released an even more widely acclaimed sophomore Snail Mail album, the exquisite Valentine, dropping in here at #7.

There are many comparisons to draw from when trying to quantify Jordan’s music. THere’s the inevitable comparisons to Hole, or Juliana Hatfield. And anything she does wouldn’t have been possible without the existence of Liz Phair. Today, I talk about Snail Mail in the same breath as King Princess, Lucy Dacus, and Phoebe Bridgers. But none of these do her sound justice.

Her voice is more breathy, as if she’s on the verge of losing it. The songs go from slow ballads about relationships on their last legs, to groovy songs about recovery (according to Pitchfork she did a stint in rehab in November, 2020), to hard rock surprises like the title song shown in the video above.

I liked her debut album, but connected with it too late to include on the 2018 Top 31. Lush feels less polished, less experienced than Valentine. But if you like the song in the video above, then you’ll really connect with Lush, as that album is the more hard rock of the two she’s put together. Despite billing herself as a solo act, she has a full band performing behind her lead vocals and guitars. Bass, keyboards, drums, rhythm guitar, and backing vocals are all there. And even some guest stars: last year’s #1 on the Top 31, Katie Crutchfield (aka Waxahatchee) sings background vocals on “Ben Franklin” (the aforementioned song about recovery – watch the video).

As I mentioned, Jordan is only 22 years old. There’s a lot more ahead for her, and I’m anxious to see where she heads. The growth seen between albums one and two was huge. The next album has got to be even better.

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8. sketchy. by tUnE-yArDs
9. A Very Lonely Solstice by Fleet Foxes
10. Hey What by Low
11. Local Valley by José González
12. Head of Roses by Flock of Dimes
13. The Nearer the Fountain, More Pure the Stream Flows by Damon Albarn
14. Collapsed in Sunbeams by Arlo Parks
15. Loving In Stereo by Jungle
16. Flying Dream 1 by Elbow
17. Screen Violence by Chvrches
18. Blue Weekend by Wolf Alice
19. Mainly Gestalt Pornography by Pearly Gate Music
20. Peace Or Love by Kings of Convenience
21. These 13 by Jimbo Mathus & Andrew Bird
22. Mr. Corman: Season 1 by Nathan Johnson
23. Home Video by Lucy Dacus
24. I’ll Be Your Mirror: A Tribute to The Velvet Underground & Nico by Various Artists
25. Siamese Dream by Fruit Bats
26. NINE by Sault
27. Observatory by Aeon Station
28. The Monster Who Hated Pennsylvania by Damien Jurado
29. A Beginner’s Mind by Sufjan Stevens and Angelo De Augustine
30. Where the End Begins by Knathan Ryan
31. Private Space by Durand Jones & The Indications

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#22 on the 2020 Bacon Top 31 — Deep Sea Diver

January 10, 2021 by Royal Stuart

Impossible Weight by Deep Sea Diver

How is it that Deep Sea Diver, Seattle’s little engine that could, is seemingly everywhere in my area, but barely talked about outside of the Pacific Northwest? Impossible Weight, the band’s third full-length album in their 16+ year history, is utterly fantastic, but if you’re not my neighbor, you’ve probably never even heard of them. The album was #1 on KEXP listener’s Top 90.3 albums of 2020, yet Pitchfork doesn’t have a single article about them. It’s as if we’re watching two parallel universes battle it out right in front of us.

Be that as it may, please now consider yourself part of the inner circle. Now you know. And if you’re a long-time follower, you might have already known, as the band’s debut album appeared on the Top 31 at #23 back in 2012. On top of that, Sharon van Etten (no stranger to the Bacon Top 31), makes an appearance on Impossible Weight’s title song, creating a duet with Deep Sea Diver’s Jessica Dobson that’s entirely overloaded with singing talent. Makes me wonder if Pitchfork, in their lack of recognition of Deep Sea Diver, has a beef to pick with someone related to the band and is being spiteful.

I guess Deep Sea Diver isn’t for everybody, but if you’re a fan of female-led indie rock, you’ll love them. Someday Dobson’s name will be as well known as van Etten, or Barnett, or Phair. Until then, all we can do is enjoy them with additional fervor and shout their name from the rooftops. The rest of the world will catch up eventually.

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1. Saint Cloud by Waxahatchee
2. Fetch The Bolt Cutters by Fiona Apple
3. Punisher by Phoebe Bridgers
4. folklore + evermore by Taylor Swift
5. Untitled (Black Is) + Untitled (Rise) by Sault
6. RTJ4 by Run The Jewels
7. Shore by Fleet Foxes
8. Serpentine Prison by Matt Berninger
9. The Ascension by Sufjan Stevens
10. Making a Door Less Open by Car Seat Headrest
11. Dreamland by Glass Animals
12. A Hero’s Death by Fontaines D.C.
13. Song Machine, Season One: Strange Timez by Gorillaz
14. Mordechai + Texas Sun EP by Khruangbin
15. Introduction, Presence by Nation of Language
16. Free Love by Sylvan Esso
17. Miss Anthropocene by Grimes
18. 3.15.20 by Childish Gambino
19. Women In Music Pt. III by HAIM
20. The Third Mind by The Third Mind
21. Superstar by Caroline Rose
22. Impossible Weight by Deep Sea Diver
23. We Will Always Love You by The Avalanches
24. Ultra Mono by IDLES
25. Visions of Bodies Being Burned by clipping.
26. Thin Mind by Wolf Parade
27. The Loves of Your Life by Hamilton Leithauser
28. Palo Alto (Live) by Thelonious Monk
29. color theory by Soccer Mommy
30. Fall to Pieces by Tricky
31. Quarantine Casanova by Chromeo

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#29 on the 2020 Bacon Top 31 — Soccer Mommy

January 03, 2021 by Royal Stuart

color theory by Soccer Mommy

Sophie Allison, otherwise known as Soccer Mommy, has a talent for layering dark, grim lyrics on top of bright, catchy pop hooks. Whereas Tricky’s darkness stemmed from a lifetime of external difficulty and suffering, Allison’s pain comes mostly from within. If the stories contained on the Nashville-based singer/songwriter’s fantastic second album, color theory, are to be believed, she suffers from imposter syndrome and plenty of inner turmoil. Part of this singular focus on herself is likely due to her age – at roughly 23 years old, she’s not lived enough life to really know how much the world could hurt her. Additionally, it’s quite difficult to make a living as an indie-rocker, and that’s only going to fuel that inner fire.

Allison’s first album, Clean, unfortunately evaded my radar long enough to be overlooked for the 2018 Top 31 — not the first time I’ve made a mistake in my 12 years of chronicling the years’ best albums. (Incidentally, it occurs to me that I’ve been writing about my favorite albums each year since Allison was about 11 years old. Yeesh.) But since discovering her in the early months of 2019, Soccer Mommy has taken hold of my playlist and continues to add to and build up my love for her music.

The growth that Allison has shown in her music from Clean (an excellent album on its own) to color theory is subtle at first listen. Upon repeated plays, the songs on the second album demonstrate a greater intelligence. The same ties to the bluntness of Liz Phair or use of rhyming couplets like Taylor Swift are still there, but color theory shows Allison bringing a depth to the music that is all her own. And this is only her second album! I can’t wait to see what lies ahead for Soccer Mommy.

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#7 on the 2018 Bacon Top 31 — Cat Power

January 25, 2019 by Royal Stuart

Wanderer by Cat Power

Cat Power has been soothing the world with her sultry voice for over twenty years, since her debut Dear Sir in 1995. The trajectory of her creative output has steadily slowed since that first album, having three releases between 1995-1996, then two releases two years apart, two releases three years apart, one four years after that, and then finally Wanderer, her tenth album, six years later. Despite ten albums in 23 years, only two of those have been released since the Top 31 began in 2009, and I don’t think I’ve once mentioned her in that span. Her 2012 album, Sun, did not impress me. And yet, I’ve listened to her music pretty regularly since her critically-acclaimed 1998 breakthrough album, Moon Pix, recorded with a couple members of the Dirty Three to great effect. She did have a track on the oft-mentioned Dessner-brother produced Red Hot compilation Dark Was the Night, which was #10 in 2009, and that’s the closest I’ve ever come to discussing Cat Power.

This post has been a long-time coming, I suppose. Her real name is Chan Marshall, and apparently she was discovered opening for Liz Phair in 1993 by members of Sonic Youth and Two Dollar Guitar. That’s a good way to get started on the right foot in the music business. Since the above-mentioned Moon Pix she’s had a slew of amazing albums that all would have been on the Top 31 had it existed, including 2003’s You Are Free (which happens to feature Dave Grohl and Eddie Vedder) and The Greatest in 2006 (featuring phenomenal Mempis-based studio musicians for an entirely unique feel).

Marshall has a way of stripping down a song to its bare essence, drawing you ever closer to the speaker in an attempt to hear the parting of her lips and the dancing of her tongue on the back of her teeth. In addition to her own fantastic songs, she is the master of the cover, having released two full albums of covers (The Covers Record in 2000 and Jukebox in 2008). Her gift is to make these songs her own, barely recognizable from the original. My favorite track on Wanderer is actually a cover as well, of of Rihanna’s 2012 song “Stay”. You must hear this song — thankfully there’s a video for you to be able to do just that.

The video above, for the song “Woman,” features Lana Del Rey on harmonies and background vocals. It was the first single for this new record, and it does a good job of summing up Cat Power and her ups and downs over the years quite well:

I’m a woman of my word, now haven’t you heard?
My word’s the only thing I’ve ever needed
I’m a woman of my word, now you have heard
My word’s the only thing I truly need

Her word, above all else, is what has carried her through many different phases of her life, and will continue to do so. If you’ve not heard of Cat Power before now, you’ve been living under a rock. Wanderer is a perfect way to get into her, and that album will bleed into her previous records quite nicely. You’d best get started — you have a lot of ground to cover.

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8. Tell Me How You Really Feel by Courtney Barnett
9. The Louder I Call, The Faster It Runs by Wye Oak
10. Ruins by First Aid Kit
11. Cocoa Sugar by Young Fathers
12. Loner by Caroline Rose
13. Big Red Machine by Big Red Machine
14. I’ll Be Your Girl by The Decemberists
15. The More I Sleep the Less I Dream by We Were Promised Jetpacks
16. Joy as an Act of Resistance by IDLES
17. Hell-On by Neko Case
18. Superorganism by Superorganism
19. Living in Extraordinary Times by James
20. Thank You for Today by Death Cab for Cutie
21. Black Panther: The Album by Kendrick Lamar
22. Suspiria (Music for the Luca Guadagnino Film) by Thom Yorke
23. Merrie Land by The Good, the Bad & the Queen
24. Room 25 by Noname
25. WARM by Jeff Tweedy
26. God's Favorite Customer by Father John Misty
27. Vessel by Frankie Cosmos
28. For Ever by Jungle
29. Twerp Verse by Speedy Ortiz
30. Remain in Light by Angélique Kidjo
31. This One’s for the Dancer & This One’s for the Dancer’s Bouquet by Moonface

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#29 on the 2018 Bacon Top 31 — Speedy Ortiz

January 03, 2019 by Royal Stuart

Twerp Verse by Speedy Ortiz

There’s a glut of edgy female rock singer/songwriters in music today. If the sub-genre “Edgy Female Rock Singer/Songwriter” were a monarchy, Patti Smith would be the queen, and PJ Harvey and Liz Phair would be the princesses. The next generation to follow is chockablock with young women vying for the throne, and Speedy Ortiz here at #29 won’t be the last of them to appear on this year’s Top 31.

Sadie Dupuis started Speedy Ortiz as a solo project in the early 10s, but the name has grown to cover a full band, and Twerp Verse is their third release. The guitar-heavy album is grating yet rewarding, with Dupuis’ often dark, poetic lyrics always at the fore. It’s no wonder the lyrics aren’t bright and happy (despite the upbeat sound) — Dupuis picked up her nom de plume from a character in the seminal 80s comic book series Love and Rockets, in which Eulalio “Speedy” Ortiz, the brother of one of the main characters, suffers an untimely death, most likely suicidal.

Twerp Verse cycles through the many pains of life in America in your late 20s. Sexuality, relationships, pain and suffering. Dupuis’ lyrics are unpredictable and enticing, don’t skimp on listening to the words she’s singing. Speedy Ortiz also have a penchant for good music videos; in addition to the Lucky 88 above, be sure to check out “Villain” and “Lean in When I Suffer”.

Hopefully you like what you hear on this album, as there are a few more similar yet different takes on this sound yet to come in the 2018 Top 31.

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30. Remain in Light by Angélique Kidjo
31. This One’s for the Dancer & This One’s for the Dancer’s Bouquet by Moonface

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#24 on the 2016 Bacon Top 31

December 08, 2016 by Royal Stuart

Puberty 2 by Mitski

The album at #24, by the singularly-named woman, Mitski, sounds familiar and unique all at once. In her voice you can hear traces of other powerful singers like St. Vincent, Liz Phair, or Sharon van Etten. Her music, well- but not overly-produced, is a fluid blend of electronic and analog instruments, quiet and then pushed at times to the edge of breaking. Puberty 2 is her fourth album, and this is the only one I’ve listened to, but I aim to hear the others.

I don’t tend to hear the lyrics I’m listening to, the voice tending to be more like another instrument, and Puberty 2 is no different. She could be singing about death and destruction, or happiness and joy, and I’d be none the wiser. But that’s, again, part of the beauty. She’s a half Japanese, half American female Jónsi, leading her own New York-based Sigur Ros.

There. I think I’ve thrown enough confusion at you to spark some interest. Now go listen, won’t you?

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25. Light Upon the Lake by Whitney
26. A Corpse Wired for Sound by Merchandise
27. Away by Okkervil River
28. case/lang/veirs by case/lang/veirs
29. Love Letter for Fire by Sam Beam & Jesca Hoop
30. Barbara Barbara, We Face a Shining Future by Underworld
31. Preoccupations by Preoccupations

#5 on the 2015 Bacon Top 31

December 27, 2015 by Royal Stuart

Sometimes I Sit And Think, And Sometimes I Just Sit by Courtney Barnett

Much like Royal Headache — who were featured at #31 on the list — Courtney Barnett is Australian and likes to rock. Technically Sometimes I Sit And Think, and Sometimes I Just Sit, is her debut album, even though we’ve been hearing her for at least two years thanks to the good EPs she’s had floating around since 2011.

We’re now in the top five of the countdown, which means you really should buy this album right now. KEXP listeners rated it #1 in 2015. I wanted to, too, but believe it or not, there are four more albums that came out this year that are better than this one.

That said, Sometimes is solid three-part rock & roll from start to finish. When performing live (example here, for KEXP, last year), Barnett sings in a low punk-rock voice, a la (ugh) Courtney Love. But recorded, her voice is a little more clear, with a bit more enunciation, reminding me of a younger PJ Harvey or Liz Phair.

As for songwriting, her lyrics are fantastic. The stories she tells, somehow both deeply personal and universal at the same time, carry you along and remind you of places you’ve been in your own life. At 27, Barnett is wise beyond her years, but it works.

There are many good songs on this album, and there are a few good videos as well. In addition to the great animation for “Dead Fox” above, there’s “Pedestrian at Best,” which I wrote about earlier this year, as wellas videos for two more great songs: “Depreston” and “Nobody Really Cares If You Don’t Go To The Party.” I don’t see how you can draw anything other than the same conclusion I did: this woman kicks ass.

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6. I Love You, Honeybear by Father John Misty
7. Sound & Color by Alabama Shakes
8. Another Eternity by Purity Ring
9. Girls in Peacetime Want to Dance by Belle and Sebastian
10. Return to the Moon by El Vy
11. Hamilton (Original Broadway Cast Recording) by Lin-Manuel Miranda
12. Art Angels by Grimes
13. The Horse Comanche by Chadwick Stokes
14. Grace Love & the True Loves by Grace Love & the True Loves
15. Shake Shook Shaken by The dø
16. La Di Da Di by Battles
17. Sky City by Amason
18. What a Terrible World, What a Beautiful World by The Decemberists
19. Untethered Moon by Built to Spill
20. Viet Cong by Viet Cong
21. The Magic Whip by Blur
22. Savage Hills Ballroom by Youth Lagoon
23. Not Real by Stealing Sheep
24. Beat the Champ by The Mountain Goats
25. Gliss Riffer by Dan Deacon
26. Dark Bird is Home by The Tallest Man on Earth
27. Gunnera by Pfarmers
28. Swimmer to a Liquid Armchair by Ricked Wickey
29. To Pimp a Butterfly by Kendrick Lamar
30. Live in Seattle by Moufang / Czamanski
31. High by Royal Headache

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