#31 on the 2023 Bacon Top 31 — Jacknife Lee, Budgie & Lol Tolhurst

Fifteen years! That’s how long I’ve been tracking my Top 31 albums by year. 15 years honestly doesn’t feel that long. When I started examining, categorizing, and logging what had formed my listening habits across the previous 12 months, I was 35 years years young. By the time I’m done reviewing the albums that shaped my 2023, I’ll be 50.

The little imposter syndrome voice in the back of my head says opinions on current music from a 50-year-old are less relevant now than they would have been 15 years ago. But I also know that the Bacon Review audience is special (you’re special!). Most of you have been following the Top 31 for years, your musical tastes growing older alongside my own. I do strive to push my own listening boundaries ever outward, and I am able to bring my fifty years of listening experience to more easily see the differences and similarities I hear in new music. Having an ever-expanding library of reference points is key to the enjoyment of new music here at The Bacon Review.

The music of 2023 continued its march into new and uncharted territory. But as you’ll see as the Top 31 unfolds, new music by past Top 31 bands proved to be the mainstay in my speakers. A quick count on the expected 2023 Top 31 has only 11 or 12 new-to-the-Bacon Review artists. That’s just under half of the new albums that will be featured over the next month. It feels like an imbalance to me, but I haven’t done a comparison to past Top 31s – maybe they’ve all been like that, or maybe there’s been a natural slow decline in new artists featured as the Top 31 gets older and the list of featured artists grows longer. There’s probably some mathematic principle that refers to the decline of new elements introduced to an annually-recurring list phenomenon. If you know what that phenomenon is called, please let me know.

Let’s get on with it, shall we?

Los Angeles by Jacknife Lee, Budgie & Lol Tolhurst

We’ll be starting the 2023 Top 31 off with an album from a handful of names you likely don’t recognize, but whose instrumentation you most definitely have heard before. Garret “Jacknife” Lee is an electronic artist who has been producing albums for U2, Bloc Party, Crystal Castles, The Editors, and even R.E.M.’s final studio album, Collapse Into Now (#30 in 2010). Peter Clarke, aka “Budgie,” is best known as the drummer for Siouxsie & the Banshees. And finally, Laurence "Lol" Tolhurst was the founding drummer for The Cure (he was asked to leave after Disintegration due to increasing complications from his alcoholism). Kevin Haskins, the drummer for Bauhaus, was originally in the project but had to bail early for a Bauhaus reunion tour, forever robbing the resulting album of ever achieving its full gothic glory.

Tolhurst and Budgie met while touring with Siouxsie and The Cure way back in 1979, and Los Angeles marks the first official songs they’ve created together as well as being their each of their solo debuts. Lee got involved in production on the album when Haskins left the project and the remaining drummers were feeling their work was too steeped in their gothic past. Starting anew in 2019, the trio wrote a suite of distinctly non-gothic instrumental tracks as the foundation for their budding album. The “band” was still trying to sort out what the songs would be when the pandemic hit in March 2020.

A couple of the tracks ended up in the hands of James Murphy (of LCD Soundsystem), who agreed to write lyrics and sing on the album. From there, the trio brought in a number of big names: the Edge (U2 guitarist), Bobby Gillespie (Primal Scream’s singer), and Isaac Brock (Modest Mouse’s singer). Joe Talbot from Idles was even going to appear on the album, but had to back out due to conflicting schedules. The resulting Los Angeles album feels a bit scattered in places, given the distinct vocal stylings of the singers who ended up performing on the record. But if you love Murphy, Gillespie, or Brock, I highly recommend checking out the album.

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There are many ways to listen to the 2023 Bacon Top 31. Subscribe now and enjoy the new albums / songs as they are revealed on the countdown!

Full Albums
All albums in their entirety

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Radio Station
The best song pulled from each album

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View all previous years’ Top 31s

#2 on the 2021 Bacon Top 31 — Big Red Machine

How Long Do You Think It's Gonna Last? by Big Red Machine

Every year there’s the big obvious acts that continually appear on the Top 31. At the top of that list are both The National and Bon Iver, both of whom have had #1 albums (2010 and 2016) along with three additional, separate appearances on the Top 31 each. In fact, I haven’t done the math, but I’m confident in saying that Aaron Dessner (20% of The National) and Justin Vernon (99% of Bon Iver), combined, have been responsible for the largest percentage of all music I’ve listened to in the last 15 years.

The two of them have done many things together, arguably the most prominent being the work they’ve done together as Big Red Machine. Their first foray into a partnership was a collaborative song called “Big Red Machine” on the Dessner-produced Dark Was the Night compilation in 2009 (#10 that inaugural Top 31 year). According to wikipedia, Dessner reached out to Vernon via MySpace, and they collaborated on the song remotely, and didn’t meet in person until a follow-on performance for the collaboration was hosted later that year. They continued to work together while producing and creating with their respective bands. They formed a record label, 37d03d, which released the first full Big Red Machine album in 2018 (self-titled, #13 that year). In addition to Dessner and Vernon, that album also features Phoebe Bridgers, Dessner’s brother Bryce and Bryan Devendorf from The National, and multi-instrumentalist Richard Parry from Arcade Fire, among many others.

Then they turned their attention to Taylor Swift, or many she turned her attention to them. The two albums that came out of their collaboration had a big impact on my 2020 Top 31, coming in collectively at #4 last year. But Swift is not the only Dessner/Vernon produced artist I’ve enjoyed. From the very first Top 31 in 2009, with the aforementioned Dark Was the Night compilation and Bon Iver’s Blood Bank EP, there have been only two years (2014 and 2015) that one or both Vernon and Dessner did not appear on the Top 31 as performer or producer. Sharon van Etten, Local Natives, Frightened Rabbit, Taylor Swift, Kanye West — they’ve all benefited from the magic touch of Aaron Dessner and/or Justin Vernon in the last 15 years.

There were also a couple of Big Red Machine singles to come out in 2020 that haven’t appeared on any albums: “No Time For Love Like Now” with Michael Stipe, and a get-out-the-vote in Wisconsin cover of Aimee Mann’s “Wise Up” featuring 4 of out 5 members of The National and others.

And now we’re finally up to the present, with How Long Do You Think It's Gonna Last?, the supergroup’s 2nd full-length album under the Big Red Machine name. The album features a daunting list of guest appearances: Taylor Swift on two songs, James Krivchenia of Big Thief, Anaïs Mitchell on three songs, Ilsey (a prolific singer/songwriter who has written for and sung with a dizzying number of artists you’ve heard of), Fleet Foxes’ Robin Pecknold, Naeem (otherwise known as rapper Spank Rock), a song called “Hutch,” dedicated to the lost-too-soon lead singer of Frightened Rabbit, Scott Hutchison, featuring Sharon van Etten, Lisa Hannigan, and Shara Nova (lead singer of My Brightest Diamond), La Force (aka Ariel Engle of Broken Social Scene), Ben Howard, and This is the Kit (Kate Stables).

Whew.

There are many highlights to this album (as there should be for a #2 album of the year). The Robin Pecknold / Anaïs Mitchell sung “Phoenix,” shown in the lyric video above, is my personal favorite (mostly because it’s the favorite of 4-year-old, who demanded I play that song over and over again throughout the summer of 2021). But even the most stripped down songs, such as the two where Aaron Dessner finally takes the spotlight all by himself, playing guitar and singing on “The Ghost of Cincinnati” and “Magnolia” in what can only be described as his best Elliott Smith impersonation. The Taylor Swift collaboration “Renegade” is a poppy, Swiftian jaunt you’ll love – it could have easily been created for Swift’s 2020 albums folklore or evermore.

It’s hard not to look at How Long as the capper of one hell of a musical decade for Dessner and Vernon. There’s no way that either of them is done making music. But if you look at the arc of U2, R.E.M., or The Stones, now is about the time in their respective careers that the drive to create something new and different clashes with the desire to slow down, spend more time with family, and rely heavily on the income from previous hits rather than create something new and earth shattering. Selfishly, I hope they choose a different path and continue to give us everything they’ve got. We’ll find out soon enough – 2022 is a new year, and maybe there’ll be another Bon Iver or National album, or some new Dessner- or Vernon-produced project that will simply blow us all away. I can’t wait.

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3. Jubilee by Japanese Breakfast
4. A Way Forward by Nation of Language
5. Things Take Time, Take Time by Courtney Barnett
6. Little Oblivions by Julien Baker
7. Valentine by Snail Mail
8. sketchy. by tUnE-yArDs
9. A Very Lonely Solstice by Fleet Foxes
10. Hey What by Low
11. Local Valley by José González
12. Head of Roses by Flock of Dimes
13. The Nearer the Fountain, More Pure the Stream Flows by Damon Albarn
14. Collapsed in Sunbeams by Arlo Parks
15. Loving In Stereo by Jungle
16. Flying Dream 1 by Elbow
17. Screen Violence by Chvrches
18. Blue Weekend by Wolf Alice
19. Mainly Gestalt Pornography by Pearly Gate Music
20. Peace Or Love by Kings of Convenience
21. These 13 by Jimbo Mathus & Andrew Bird
22. Mr. Corman: Season 1 by Nathan Johnson
23. Home Video by Lucy Dacus
24. I’ll Be Your Mirror: A Tribute to The Velvet Underground & Nico by Various Artists
25. Siamese Dream by Fruit Bats
26. NINE by Sault
27. Observatory by Aeon Station
28. The Monster Who Hated Pennsylvania by Damien Jurado
29. A Beginner’s Mind by Sufjan Stevens and Angelo De Augustine
30. Where the End Begins by Knathan Ryan
31. Private Space by Durand Jones & The Indications

There are many ways to listen to the 2021 Bacon Top 31. Subscribe now and enjoy the new albums / songs as the countdown is completed!

Full Album
All albums in their entirety.

• Apple Music Full Album Playlist
• Spotify Full Album Playlist

Radio Station
A single song selection pulled from each album.

• Apple Music Radio Station Playlist
• Spotify Radio Station Playlist

View all previous Bacon Top 31s