#11 on the 2024 Bacon Top 31 — Porridge Radio

January 21, 2025 by Royal Stuart in Top 31, 2024

Clouds In The Sky They Will Always Be There For Me by Porridge Radio

Porridge Radio, the indie rock trio out of Brighton, England, made a pretty big splash on the 2022 Top 31 with their third album, Waterslide, Diving Board, Ladder to the Sky showing up at #12. And now they’re back, two years later, with an even better album here at #11: Clouds In The Sky They Will Always Be There For Me, their 4th LP in their 10-year history.

There are some great singles on Waterslide, but Clouds holds together as a single idea, executed well. After touring extensively throughout 2022 in support of the last album, Dana Margolin, the band’s dynamic, deep voiced lead singer and principal songwriter, returned home and shortly thereafter split up with her partner. It is from the ashes of that exhausting tour and subsequent breakup that Clouds sprang. When describing the band to new listeners, I more often than not say “they’re the second coming of Modest Mouse, with a female lead.” But really that’s only because the person I most want to compare her to is Spencer Krug (as seen back at #14), but it’s impossible to compare one unknown tortured singer/songwriter to another without causing confusion. Margolin is a powerful voice, singing about universally felt emotions, creating songs like no other female-led band in the 20’s.

I’m excited to see Porridge Radio for the second time, in just a couple weeks from now. The last time I saw them was in 2022 during the band’s torrid stretch of worldwide touring. Margolin had recently shaved her head bald, and the show was a blast, but it wrecked the band members by the end of the tour. Looking at the current videos, it appears that she’s got shoulder length hair now, and looking a bit more stable. Check out the video above for “A Hole in the Ground,” or for the lead single from the album, for the song “Sick of the Blues,” and you’ll get a good glimpse of their stage presence. I suppose looks can be deceiving, as the band announced on January 15 that they’ll be splitting up after this tour. No reasons given.

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I hope the rationale for closing up the Porridge Radio shop is something innocuous. But since no reason was given, my gut says it’s something more, something dire. You don’t step away from your still up-and-coming band without a lot of introspection and difficulty. I’m glad they’re not so bad they have to cancel the tour. I do wish them well. And, like Spencer Krug being the heart of Sunset Rubdown, Margolin is the heart of Porridge Radio – the songs and the sound they evoke are hers, so I suspect (and very much hope) we’ll be hearing more from her in another capacity soon.

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#31 on the 2023 Bacon Top 31 — Jacknife Lee, Budgie & Lol Tolhurst

January 01, 2024 by Royal Stuart in Top 31

Fifteen years! That’s how long I’ve been tracking my Top 31 albums by year. 15 years honestly doesn’t feel that long. When I started examining, categorizing, and logging what had formed my listening habits across the previous 12 months, I was 35 years years young. By the time I’m done reviewing the albums that shaped my 2023, I’ll be 50.

The little imposter syndrome voice in the back of my head says opinions on current music from a 50-year-old are less relevant now than they would have been 15 years ago. But I also know that the Bacon Review audience is special (you’re special!). Most of you have been following the Top 31 for years, your musical tastes growing older alongside my own. I do strive to push my own listening boundaries ever outward, and I am able to bring my fifty years of listening experience to more easily see the differences and similarities I hear in new music. Having an ever-expanding library of reference points is key to the enjoyment of new music here at The Bacon Review.

The music of 2023 continued its march into new and uncharted territory. But as you’ll see as the Top 31 unfolds, new music by past Top 31 bands proved to be the mainstay in my speakers. A quick count on the expected 2023 Top 31 has only 11 or 12 new-to-the-Bacon Review artists. That’s just under half of the new albums that will be featured over the next month. It feels like an imbalance to me, but I haven’t done a comparison to past Top 31s – maybe they’ve all been like that, or maybe there’s been a natural slow decline in new artists featured as the Top 31 gets older and the list of featured artists grows longer. There’s probably some mathematic principle that refers to the decline of new elements introduced to an annually-recurring list phenomenon. If you know what that phenomenon is called, please let me know.

Let’s get on with it, shall we?

Los Angeles by Jacknife Lee, Budgie & Lol Tolhurst

We’ll be starting the 2023 Top 31 off with an album from a handful of names you likely don’t recognize, but whose instrumentation you most definitely have heard before. Garret “Jacknife” Lee is an electronic artist who has been producing albums for U2, Bloc Party, Crystal Castles, The Editors, and even R.E.M.’s final studio album, Collapse Into Now (#30 in 2010). Peter Clarke, aka “Budgie,” is best known as the drummer for Siouxsie & the Banshees. And finally, Laurence "Lol" Tolhurst was the founding drummer for The Cure (he was asked to leave after Disintegration due to increasing complications from his alcoholism). Kevin Haskins, the drummer for Bauhaus, was originally in the project but had to bail early for a Bauhaus reunion tour, forever robbing the resulting album of ever achieving its full gothic glory.

Tolhurst and Budgie met while touring with Siouxsie and The Cure way back in 1979, and Los Angeles marks the first official songs they’ve created together as well as being their each of their solo debuts. Lee got involved in production on the album when Haskins left the project and the remaining drummers were feeling their work was too steeped in their gothic past. Starting anew in 2019, the trio wrote a suite of distinctly non-gothic instrumental tracks as the foundation for their budding album. The “band” was still trying to sort out what the songs would be when the pandemic hit in March 2020.

A couple of the tracks ended up in the hands of James Murphy (of LCD Soundsystem), who agreed to write lyrics and sing on the album. From there, the trio brought in a number of big names: the Edge (U2 guitarist), Bobby Gillespie (Primal Scream’s singer), and Isaac Brock (Modest Mouse’s singer). Joe Talbot from Idles was even going to appear on the album, but had to back out due to conflicting schedules. The resulting Los Angeles album feels a bit scattered in places, given the distinct vocal stylings of the singers who ended up performing on the record. But if you love Murphy, Gillespie, or Brock, I highly recommend checking out the album.

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#12 on the 2022 Bacon Top 31 — Porridge Radio

January 20, 2023 by Royal Stuart in Top 31

Waterslide, Diving Board, Ladder To the Sky by Porridge Radio

When I moved to Seattle in 1997, I was introduced to a a few things in quick succession that opened my eyes to the world of music. First came “public radio:” kexp.org. Prior to then, I had no idea there could be radio without commercials screaming at you. Next came “club shows.” I’d been to a few concerts, some even in smaller venues (Tori Amos in the 250 person Sooner Theatre in 1992 being my first ever concert), but the idea that a venue existed where different bands performed multiple times a week was entirely foreign to me prior to moving to Seattle. And finally, “local music.” Of course I knew a band or two locally in Oklahoma, but the idea that a city could sustain multiple bands playing multiple venues around town regularly and only rarely escape the city limits was beyond my comprehension.

It was there, in those formative, new-to-Seattle days that my love of indie rock solidified. Sky Cries Mary, Death Cab for Cutie, Built to Spill, Damien Jurado, Modest Mouse — these bands were all essentially in my back yard, any one of them playing a show nearby on any given weekend, along with countless other, less well-known but still equally as-good bands.

Into this miasma of fuzz is where my hearing-deprived brain wants to throw the band who occupies the #12 spot on the 2022 Top 31, despite the band being from nowhere near Seattle, and with over 20 years separating me from those formative days of my youth. Porridge Radio, from Brighton, England, are a throwback to an era not too far away in spirit, but far enough away to be able to legally drink in the US.

Led by the dynamic singer / songwriter / lead guitarist Dana Margolin, Porridge Radio brings a heavy amount of spite and angst to their songs that feels urgent and unbridled. Behind her is Georgie Stott on keyboards, Maddie Ryall on bass, and drummer Sam Yardley. Waterslide, Diving Board, Ladder To the Sky is the band’s third LP since forming in 2015. Their last album, the critically acclaimed Every Bad, came out March 13, 2020, exactly six days before I packed up my desk and told my boss “I have to worry about my family, I’m going to work from home for the next couple weeks.” According to Pitchfork, Margolin had already started writing “Back to the Radio,” featured in the video above, when Every Bad came out.

Go ahead and hit play on the video above. It has all the things I love about indie rock – fuzzed out, strong guitars; heavy drums that start out low and build; and a dynamic, charismatic hero/heroin at the fore, giving it their all. Multiple songs on the album convey this same feeling. Together, the album is a real triumph. I haven’t yet heard Every Bad, but a few months ago I did get to see Porridge Radio live on an actual stage. Barboza was packed, with its low ceiling and narrow build, and Margolin filled it out wonderfully. I can’t wait to experience it again. Prepare yourself as well – listen to the album, and then go with me the next time they come through town.

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13. I Walked with You a Ways by Plains
14. The Last Goodbye by Odesza
15. A Light for Attracting Attention by The Smile
16. Mr. Morale & The Big Steppers by Kendrick Lamar
17. Inside Problems by Andrew Bird
18. Laurel Hell by Mitski
19. Full Moon Project by Phosphorescent
20. Skinty Fia by Fontaines D.C.
21. I Love You Jennifer B by Jockstrap
22. Too Much to Ask by Cheekface
23. Dripfield by Goose
24. Dragon New Warm Mountain I Believe In You by Big Thief
25. And In The Darkness, Hearts Aglow by Weyes Blood
26. NOT TiGHT by DOMi & JD BECK
27. Preacher’s Daughter by Ethel Cain
28. Live at KEXP, vol. 10 by Various Artists
29. All You Need Is Time by Daisy the Great
30. Cool It Down by Yeah Yeah Yeahs
31. CAPRISONGS by FKA twigs

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#28 on the 2022 Bacon Top 31 — Various Artists via KEXP

January 04, 2023 by Royal Stuart in Top 31

Live at KEXP, vol. 10 by Various Artists

In 2022, KEXP — the radio station that broadcasts at 90.3 on the FM dial in the Seattle area and worldwide at kexp.org — turned 50. The station has recorded countless “Live at KEXP” sessions that they then post on their YouTube channel. From those sessions, they’ve produced ten “Live at KEXP” collections over the years. These are wildly varying mixes that lovingly reflect the eclectic nature of the station and all its DJs loves and influences. And that finally brings us to why we’re here: Live at KEXP, vol. 10, my #28 album of the year.

First, a bit about the history of this much-loved radio station: it started as “KCMU” when four UW students in 1972 wanted an outlet and learning environment for journalism and on-air music to students beyond what had been previously available via KUOW, the original UW station (which had been severely reduced due to university budget cuts in the early 70s). It has been through a variety of changes over the last five decades: shifting from KCMU to KEXP thanks to an agreement with Paul Allen’s Experience Music Project in the early 2000s; a formalization of format from a mix of news and DJ-led music to only music in the 90s; and a successful transformation from solvency being provided by university or investor backing to being fully listener supported.

The mission of the station has never wavered: “to enrich [listeners’ lives] by championing music and discovery. [The station’s] vision is a connected and compassionate world embracing curiosity and a shared love of music.” They mean it when they say “KEXP: Where the music matters.” While I can’t pinpoint the connection exactly, it’s safe to say that I wouldn’t have the love of music that I do without KEXP in my life. And KEXP has truly been “in my life”:

While my wife and I were in the hospital for the birth of our daughter, we made a request to the station during a quiet moment in the delivery room that was played on air by John in the Morning, along with a sharing of our story, and heard live on our personal speaker in the room
It is KEXP I think of when I think back to my personal experience around 9/11 – with my alarm going off early in the morning to the sounds of KCMU in 2001, John’s telling of the first plane hitting the Towers is as clear in my head now as it was that morning
At the start of the pandemic, the station adapted quickly to the new rules of society, figuring out how to broadcast from DJ’s homes, and the station’s secondary motto “You are not alone” became a powerful mantra to listeners worldwide, including me and my family. The support the station provided then continues today as the station digs deeper into the support that the station brings to our lives through the music and stories they share.

Having been a Gold Club member multiple times over the years, and privy to the secret stage shows the station held in the tiny Children’s Theater at the Seattle Center during Bumbershoot, I’ve been witness to many intimate and monumental musical performances thanks to the station. It’s those types of performances that fill out the Live at KEXP releases, and Volume 10 is no exception. There’s “En La Front” from a 2022 performance by Argentinian singer/songwriter Barbi Recanati next to “Lump” from a 1995 performance by The Presidents of the United States of America, a 1997 Modest Mouse performance of “Dramamine” (that will simply bring you to tears due to the recent untimely passing of MM drummer Jeremiah Green due to cancer) next to “Legend Has It” from the 2017 Run the Jewels set linked in the video above. My personal favorite from the album is “Süpürgest Yoncadan” from the 2019 performance by (new to me and the Bacon Review) Turkish psych-rock band Altin Gün shown at the top of this post.

I am (we are) so lucky to have an outlet as consistently strong as KEXP to introduce me (and you) to new music from around the world that I (we) would never hear otherwise. I mentioned earlier that the station is listener supported, and consequently the album is not available to hear on the streaming services. You’ll need to go to your local (Seattle) record store to pick up the vinyl, or you can pay (minimum $10) to download the album from Bandcamp. Or of course you can just peruse the full library of performances on KEXP’s Youtube channel. All proceeds from the vinyl and from the album go directly back to the artists featured. And then when you’re done buying the album, why don’t you head over to kexp.org and throw the station a few bucks as well — without them we would not be talking here, today.

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29. All You Need Is Time by Daisy the Great
30. Cool It Down by Yeah Yeah Yeahs
31. CAPRISONGS by FKA twigs

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#18 on the 2019 Bacon Top 31 — Great Grandpa

January 14, 2020 by Royal Stuart

Four of Arrows by Great Grandpa

One thing I love about writing these articles are the pleasant surprises I unearth in researching the bands I feature. For instance, I’ve liked Great Grandpa, the band whose sophomore album, Four of Arrows, landed at #18, for a few months now. But only today did I discover that they’re from Seattle (the city I, too, call home). If I’d given it any thought before today, I probably would have predicted this, as they have a distinctly indie-Seattle sound. Four of Arrows, the only Great Grandpa album I’ve heard, has a foundation similar to older Modest Mouse. Rough-around-the-edges production and pop rock sensibilities abound.

What really drew me to Great Grandpa, though, is the voice of lead singer Alex Menne. Her voice, loud and unrefined, cracks at the edges, evocative of Katie Crutchfield, of Waxahatchee, in her most strained moments. Beyond Menne, the heart of Great Grandpa are husband and wife Carrie and Pat Goodwin, who play bass and guitar respectively, and write the bulk of the band’s output. Together, the three of them, along with Dylan Hanwright on second guitar and Cam Laflam on drums, the quintet fills an indie-rock void in Seattle that I hadn’t realized even existed until now.

“Digger,” shown in the video above, is my favorite song on the album. The lyrics are unapproachable — more power to you if you can figure them out. But the video is another story. It’s impossible to talk about the video without revealing too much, so all I’m going to say is: watch the video in full. It will move you in ways you don’t expect, and not only because of the stellar soundtrack.

While this is only the 2nd album from Great Grandpa, I suspect the best is yet to come. Four of Arrows is a good effort, but this is a young band with lots of potential. Keep an eye out for the future.

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19. Designer by Aldous Harding
20. Norman Fucking Rockwell! by Lana Del Rey
21. Our Pathetic Age by DJ Shadow
22. Juice B Crypts by Battles
23. Pony by Orville Peck
24. Hyperspace by Beck
25. Eraserland by Strand of Oaks
26. Dogrel by Fontaines DC
27. You’re the Man by Marvin Gaye
28. Big Wows by Stealing Sheep
29. 1000 gecs by 100 gecs
30. In the Morse Code of Brake Lights by The New Pornographers
31. Radiant Dawn by Operators

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#19 on the 2015 Bacon Top 31

December 13, 2015 by Royal Stuart

Untethered Moon by Built to Spill

And now for one of my most favorite bands. Built to Spill is the band I’ve seen perform the most (I’ll be seeing them for a sixteenth time in February). And they’re one of my longest-loved bands as well, having first heard them shortly after I moved to Seattle in 1997. They were even featured on the very first Top 31, back in 2009, at #9 with their album There is no Enemy.

There were six years between that album and Untethered Moon, but it certainly doesn’t sound like it. This is a classic Built to Spill album, and lead singer / songwriter Doug Martsch is as good today as he has been for the bulk of his songwriting career. Unlike their Pacific Northwest counterpart, Modest Mouse, whose recent output sounds nothing like their earlier work, Martsch and company have consistently put out album after album, all filling generally the same space on the musical spectrum.

There are some great songs, and some duds, on this new album, but it holds my attention from start to finish. That can probably be tied to the strength of the opening song, “All Our Songs,” and the final song on the album, “When I’m Blind” — the two longest songs on the album, both featuring a great, high-speed climax that can only be defined as that Built to Spill Sound™.

The video above, for “Never be the Same,” is an odd video experience. It centers around a gathering to watch another video that came out earlier this year, for “Living Zoo,” also from Untethered Moon. (I suggest watching that video, too, to get the full picture.) It shows Martsch going absolutely ape shit for the actor in the video, complete with strange dialog and weird cuts that make no sense other than to simply demonstrate how strange and funny Martsch is.

If you’ve liked Built to Spill at any point in the last 20 years, you will like this album. Buy it.

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20. Viet Cong by Viet Cong
21. The Magic Whip by Blur
22. Savage Hills Ballroom by Youth Lagoon
23. Not Real by Stealing Sheep
24. Beat the Champ by The Mountain Goats
25. Gliss Riffer by Dan Deacon
26. Dark Bird is Home by The Tallest Man on Earth
27. Gunnera by Pfarmers
28. Swimmer to a Liquid Armchair by Ricked Wickey
29. To Pimp a Butterfly by Kendrick Lamar
30. Live in Seattle by Moufang / Czamanski
31. High by Royal Headache

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